{"id":77839,"date":"2026-10-07T00:01:00","date_gmt":"2026-10-06T21:01:00","guid":{"rendered":"https:\/\/art50.net\/?p=77839"},"modified":"2026-10-07T10:30:27","modified_gmt":"2026-10-07T07:30:27","slug":"the-art-of-frieze-week","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/the-art-of-frieze-week\/","title":{"rendered":"The Art of Frieze Week \u2013 14-18 October 2026"},"content":{"rendered":"\n

The 24th edition of Frieze London<\/strong> and the 14th edition of Frieze Masters<\/strong> return to The Regent\u2019s Park from 14\u201318 October 2026<\/strong>. Frieze London focuses on ambitious new work and the relationships shaping contemporary practice; Frieze Masters brings together scholarship and rediscovery, with works spanning millennia. Together, the fairs place contemporary art in dialogue with art history at the centre of London\u2019s art scene.<\/p>\n\n\n\n

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FRIEZE LONDON: The Global Scene<\/h3>\n\n\n\n

The 2026 edition puts discovery first. Solo entrance stands by M\u00e1rcia Falc\u00e3o (Fortes D’Aloia & Gabriel)<\/strong> and Agata Ingarden (Berthold Pott)<\/strong> occupy prime positions, with further places open to exhibiting galleries through proposal-led selection. Alongside these are Focus, Artist-to-Artist<\/strong> and The Code Universe<\/strong>, placing artists, younger galleries and curatorial voices at the forefront.<\/p>\n\n\n\n

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Spr\u00fcth Magers, Cao Fei, Dash 15, 2026, Courtesy of the artist and Spr\u00fcth Magers<\/figcaption><\/figure>\n\n\n\n
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Leading International Galleries<\/h3>\n\n\n\n

Frieze London brings together 171 galleries from 42 countries and regions.<\/p>\n\n\n\n

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Returning leading galleries include Sadie Coles HQ, Gagosian, Hauser & Wirth, Galerie Max Hetzler, Xavier Hufkens, Kukje Gallery, Lehmann Maupin, Lisson, Victoria Miro, Pace Gallery, Perrotin, Thaddaeus Ropac, Esther Schipper, Spr\u00fcth Magers, White Cube and David Zwirner.<\/p>\n\n\n\n

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Gagosian, Albert Oehlen, Untitled, 2020\u201326, \u00a9 Albert Oehlen. Photo: Simon Vogel, Courtesy Gagosian<\/figcaption><\/figure>\n\n\n\n
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London galleries include The Approach, Arcadia Missa, Carlos\/Ishikawa, Corvi-Mora, Thomas Dane Gallery, Edel Assanti, Emalin, Frith Street Gallery, Herald St, Pippy Houldsworth Gallery, Alison Jacques, Kate MacGarry, Maureen Paley and Timothy Taylor, among others.<\/p>\n\n\n\n

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From South Asia: Experimenter, Jhaveri Contemporary, Nature Morte, Project 88 and Vadehra Art Gallery.<\/p>\n\n\n\n

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From East Asia: Gallery Baton, Don Gallery, G Gallery, Johyun Gallery and Taro Nasu.<\/p>\n\n\n\n

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From West Asia: Athr, Carbon 12, Dastan and Sfeir-Semler Gallery.<\/p>\n\n\n\n

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Amina El Gotaibi, Southern Guild Gallery<\/figcaption><\/figure>\n\n\n\n
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African galleries include South Africa\u2019s blank, Southern Guild and Stevenson, alongside Gypsum (Egypt) and Selma Feriani (Tunisia).<\/p>\n\n\n\n

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Latin America is represented by Brazil\u2019s Casa Tri\u00e2ngulo, Nara Roesler and Sim\u00f5es de Assis, as well as OMR (Mexico) and Proyectos Ultravioleta (Guatemala), among others.<\/p>\n\n\n\n

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From New York and Los Angeles: Matthew Brown, Company Gallery, Anat Ebgi, Alexander Gray Associates, Garth Greenan Gallery, Karma, Jane Lombard and Night Gallery, among others.<\/p>\n\n\n\n

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Fort Gansevoort, Myrlande Constant, Untitled, 2026, \u00a9 Myrlande Constant. Courtesy of Fort Gansevoort, New York<\/figcaption><\/figure>\n\n\n\n
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Europe includes Germany\u2019s Galerie Gisela Capitain, ChertL\u00fcdde, Contemporary Fine Arts and Soci\u00e9t\u00e9; Italy\u2019s Apalazzogallery, Galleria Franco Noero, Galleria Lorcan O’Neill, P420 and PM8 \/ Francisco Salas; France\u2019s mor charpentier, Galerie Poggi and Galerie Jocelyn Wolff; Spain\u2019s 1 Mira Madrid\/2 Mira Archiv, Albarr\u00e1n Bourdais and Casado Santapau; Greece\u2019s The Breeder and Kalfayan Galleries; and Portugal\u2019s Pedro Cera.<\/p>\n\n\n\n

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First-time participants across the Galleries and curated sections include acb Gallery, Alice Amati, Ames Yavuz, Bolanle Contemporary, Blouin Division, Embajada, Fort Gansevoort, G Gallery, Galeria Jaqueline Martins, Nonfrasa, Sargent’s Daughters, TINA, Trautwein Herleth, Valentine, Voloshyn Gallery and Galerie Jocelyn Wolff.<\/p>\n\n\n\n

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Artist-to-Artist<\/h3>\n\n\n\n

Now in its 2nd year with support from Official Partner Tiffany & Co., Artist-to-Artist brings together seven artists, each nominated by an internationally recognised artist. Since launching in 2023, the section has provided a platform for artists to champion one another across generations, geographies and practices.<\/p>\n\n\n\n

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Jorge Gonz\u00e1lez Santos, nominated by Gala Porras-Kim<\/strong>, presents collaborative weaving and smoke-dye drawings rooted in Puerto Rico\u2019s material culture, landscape and cultural histories at Embajada.<\/p>\n\n\n\n

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Cylinder, Eusung Lee, Eggshell, 2023. Photo by Janghwal Lim, Image Courtesy of the artist<\/figcaption><\/figure>\n\n\n\n
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Seoul-based Eusung Lee, nominated by Ayoung Kim<\/strong>, explores the human figure and its history in sculpture through a life-cast body and modelled car at Cylinder.<\/p>\n\n\n\n

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Eilen Itzel do Esp\u00edrito Santo, nominated by Firelei Baez<\/strong>, presents new paintings, handmade paper and clay sculptures drawing on the Yoruba creation story of Obatala at Bolanle Contemporary.<\/p>\n\n\n\n

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Jota Momba\u00e7a, nominated by Otobong Nkanga<\/strong>, continues MUD\/EMBANKMENT through painting, new ceramic sculptures and a substantial accumulation of raw earth at Galeria Jaqueline Martins.<\/p>\n\n\n\n

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Unathi Mkonto, nominated by Yinka Shonibare CBE RA<\/strong>, presents fine-grained beechwood sculpture from the recent exhibition If Joburg had a beach, who would go?<\/em>, considering energy stored in the ocean floor and cities such as Johannesburg at Goodman Gallery.<\/p>\n\n\n\n

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Caroline Monnet, nominated by Jeffrey Gibson<\/strong>, presents sculptural works built around fractal-like formations, bringing Indigenous knowledge into contemporary form at Blouin Division.<\/p>\n\n\n\n

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Vienna-based Paul Robas, nominated by Louise Giovanelli<\/strong>, presents intimate, multi-layered paintings exploring memory and human experience at Alice Amati.<\/p>\n\n\n\n

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The Code Universe<\/h3>\n\n\n\n

A new curated section by Carol Yinghua Lu, Director of Inside-Out Art Museum, Beijing, and co-curator of the 19th Istanbul Biennial (2027), examines societal transformation through mass culture, from everyday objects and consumer goods to mass-media imagery and information flows.<\/p>\n\n\n\n

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Spanning the mid-1980s to the present, the section brings together cross-generational artists examining how popular culture is produced, circulated and consumed.<\/p>\n\n\n\n

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Shinro Ohtake, Scrapbook #68, 2014\u20132016. Mixed media artist book, Courtesy of the Artist, Take Ninagawa, Tokyo and greengrassi, London<\/figcaption><\/figure>\n\n\n\n
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Solo presentations include Karim Boumjimar (TINA), Nyoman Dharmawan (Nonfrasa), Nikita Kadan (Voloshyn Gallery), Carolyn Lazard (Trautwein Herleth), Shinro Ohtake (greengrassi & Take Ninagawa), Oototol (Valentine, comprised of ROH, LC Quiesser, Misako & Rosen), Selma Selman (acb Gallery) and Payne Zhu (Spurs Gallery).<\/p>\n\n\n\n

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Focus<\/h3>\n\n\n\n

Returning with support from Stone Island, Focus is dedicated to international galleries founded within the last 12 years, presenting experimental solo projects by emerging artists gaining critical, curatorial and institutional attention. Since 2023, Stone Island\u2019s support has reached 136 galleries across 246 presentations.<\/p>\n\n\n\n

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New participants are 243 Luz & Co, Chemould CoLab, eastcontemporary, Ehrlich Steinberg, Galerina, Linseed and Theta.<\/p>\n\n\n\n

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Diez, Jessica Wilson, Sweet Nothing, 2025\u20132026, Up to 12 repurposed LED taxi tops, custom mapping software, Courtesy of the artist and Diez<\/figcaption><\/figure>\n\n\n\n
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Returning galleries are Ellie Rines Gallery, a. Squire, Brunette Coleman, Bukia Vakhania, Clima, Crisis, diez, Rose Easton, Franz Kaka, Gianni Manhattan, Ginny on Frederick, Harlesden High Street, Heidi, Eli Kerr, King’s Leap, Galerie Noah Klink, Llano, Marfa’, Nicoletti, palace enterprise, Public, Niru Ratnam, South Parade, Gallery Vacancy, Wsch\u00f3d and Xxijra Hii.<\/p>\n\n\n\n

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The section is advised by C\u00e9dric Fauq, Chief Curator & Head of Projects, CAPC Mus\u00e9e d’art Contemporain de Bordeaux; Joumana Asseily, Founder, Marfa’; and Freddie Powell, Founder & Curator, Ginny on Frederick.<\/p>\n\n\n\n

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Editions<\/h3>\n\n\n\n

Now in its 5th year, Editions brings together international publishers and print studios including Borch Editions, Knust Kunz Gallery Editions, Paragon, Cristea Roberts Gallery and STPI, presenting prints, editioned works and multiples by significant artists. The section offers a more accessible entry point for new collectors.<\/p>\n\n\n\n

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Frieze Masters: Reframing Art History<\/h3>\n\n\n\n

142 galleries from 33 countries come together across Antiquity, Old Masters and 20th-century art. Rather than a single narrative, Frieze Masters approaches art history as an ongoing process of discovery.<\/p>\n\n\n\n

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Spotlight and Reflections return, alongside the new curatorial thread Queering Modernism: Visual Languages of the 20th Century, which offers alternative readings of modernity.<\/p>\n\n\n\n

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Galerie Haas, Lucian Freud, Figure with Horses, 1939. Inscribed on the back: \u201cPainting by Lucian Freud, circa 1938\u201d. Courtesy Galerie Haas<\/figcaption><\/figure>\n\n\n\n
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The fair remains a meeting point for specialist dealers, established collectors, international curators and new audiences, with vetted works spanning millennia and disciplines.<\/p>\n\n\n\n

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Galleries include Hauser & Wirth, Hazlitt Holland-Hibbert, Annely Juda, Daniel Katz, Agnews and Adam Williams Fine Art, alongside newcomers Athr and Gallery Isabelle, among others.<\/p>\n\n\n\n

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Specialist Old Masters and decorative-arts galleries include returning participants Colnaghi, De Jonckheere, Johnny Van Haeften and Salomon Lilian, with newcomers Benappi Fine Art and Pelgrims de Bigard<\/sup>.<\/p>\n\n\n\n

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Sculpture specialists include Willoughby Gerrish, Osborne Samuel Gallery and Tomasso, with new participant Kunsthandel S. Mehringer<\/sup>.<\/p>\n\n\n\n

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James Gillray, ‘The Plumb-pudding in danger’, 1805. Courtesy Daniel Crouch Rare Books<\/figcaption><\/figure>\n\n\n\n
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Works on paper and prints are represented by Stephen Ongpin Fine Art, Susan Sheehan Gallery, Daniel Crouch Rare Books and Shapero Rare Books.<\/p>\n\n\n\n

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Returning Ancient art galleries include David Aaron, ArtAncient, Galerie Chenel, Charles Ede and Rupert Wace<\/sup>.<\/p>\n\n\n\n

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Asian historical art galleries include Afridi, Joost van den Bergh, Prahlad Bubbar, Michael Goedhuis, Rasti Fine Art, Carlton Rochell, Shibunkaku and Thomsen Gallery<\/sup>.<\/p>\n\n\n\n

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British art is represented by Jonathan Clark Fine Art, Richard Green, Lyndsey Ingram, Osborne Samuel, Piano Nobile and Offer Waterman, reflecting a continued commitment to modern British art<\/sup>.<\/p>\n\n\n\n

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First-time participants include Patrick Bourne & Co. (British paintings), Cr\u00e8vecoeur, Galerie Haas, Hales (Modern\/Contemporary), Kent Antiques, Mohtashemi and Jacqueline Simcox (Asian historical)<\/sup>.<\/p>\n\n\n\n

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Returning after a pause are Elmarsa Gallery, Tristan Hoare, Alison Jacques, Kunstkammer Georg Laue and Miles McEnery Gallery, among others<\/sup>.<\/p>\n\n\n\n

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Spotlight<\/h3>\n\n\n\n

A core section since 2012, Spotlight reaches its largest edition to date under new curators Dr Devika Singh and Dr Sofia Gotti, both academics at the Courtauld Institute of Art<\/sup>.<\/p>\n\n\n\n

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The section presents solo projects by 20th-century artists, with a global focus on pioneering mid-century figures from South Asia, South America, Europe, North and West Africa, and East Asia<\/sup>. New research and significant early works span the 1950s\u2013late 1970s<\/sup>.<\/p>\n\n\n\n

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William Klein, Maquette for turning panels, 1952. Vintage silver gelatin, Photographs on board with metal armature. Courtesy The Mayor Gallery and Grob Gallery<\/figcaption><\/figure>\n\n\n\n
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Highlights include Pacita Abad (Alison Jacques), Maliheh Afnan (Lawrie Shabibi), Jim Amaral (Lamb), Mahjoub Ben Bella (Elmarsa Gallery), Blanca Luz Brum (Cecilia Brunson Projects), Nihar Ranjan Chowdhury (Art Exposure), Fong Chung-Ray (Alisan Fine Arts), Roland Dorcely (Loeve&Co), Anna Esposito (Gramma_Epsilon Gallery), Adebisi Fabunmi (k\u00f3), Lamidi Fakeye (Tafeta), Ganesh Haloi (Akar Prakar), H. A. Karunaratne (Saskia Fernando Gallery), Ernest Mancoba (Galerie Mikael Andersen), Mar\u00eda Martorell (Remota), Tilde Poli (10 A.M. Art), Emma Reyes (Cr\u00e8vecoeur), Syed Sadequain (Grosvenor Gallery), Piraji Sagara (Akara Modern), Anwar Jalal Shemza (Jhaveri Contemporary), Luce Turnier (Harlesden High Street) and Anna Zem\u00e1nkov\u00e1 (The Gallery of Everything).<\/p>\n\n\n\n

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Reflections<\/h3>\n\n\n\n

Abby Bangser, Founder & Creative Director of Object & Thing, returns as curator for the 2nd edition of this invitation-only section<\/sup>.<\/p>\n\n\n\n

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Inspired by Casa Luis Barrag\u00e1n in Mexico City, the late architect\u2019s former home and studio and a UNESCO World Heritage Site, and The Cosmic House in London, former home of designers and writers Charles and Maggie Jencks, the section considers two homes that served as lifelong residences for around 40 years and embodied their architectural and design principles<\/sup>.<\/p>\n\n\n\n

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Ptolemy Mann, Untitled, 1990s. Image courtesy of the artist and Tristan Hoare Gallery, Copyright of the artist<\/figcaption><\/figure>\n\n\n\n
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Barrag\u00e1n\u2019s singular modernism was rooted in Mexican vernacular; Charles Jencks developed his ideas in The Language of Post-Modern Architecture<\/em> (1977)<\/sup>.<\/p>\n\n\n\n

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Works from both collections are shown alongside pieces reflecting the distinct design and collecting sensibilities of the two houses<\/sup>.<\/p>\n\n\n\n

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Participating galleries are Ammann Gallery, Erskine, Hall & Coe, Tristan Hoare and Side Gallery<\/sup>.<\/p>\n\n\n\n

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Queering Modernism<\/h3>\n\n\n\n

Debuting at Frieze Masters 2026, Queering Modernism: Visual Languages of the 20th Century<\/em> is curated by German curator Anke Kempkes, who recently curated Queer Modernism 1900\u20131950<\/em> at K20 Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf, 2025.<\/p>\n\n\n\n

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Rather than a single section, the theme runs across the fair through unexpected encounters, revisiting the Modernist and Post-War canon through queer experience and LGBTQIA+ representation<\/sup>. It traces visual languages from early modern experimentation to the postmodern 1980s, shaped by desire, embodied experience and self-representation<\/sup>.<\/p>\n\n\n\n

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Ruth Bernhard, Moonrise, 1962. Courtesy Galerie Albrecht<\/figcaption><\/figure>\n\n\n\n
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Works include Ruth Bernhard (Galerie Albrecht); Claude Cahun and Judy Chicago (Alberta Pane Gallery); Lotte Laserstein and Glyn Philpot (Agnews); Bahman Mohasses (Ab-Anbar); Ismael Nery (Danielian); Luis Fernando Zapata (Elvira Moreno Gallery); and Alice Neel (Victoria Miro and David Zwirner).<\/p>\n\n\n\n

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While visiting Frieze London, don’t miss the 11 sculptures at Frieze Sculpture in The Regent’s Park, curated by Fato\u015f \u00dcstek.<\/strong><\/p>\n\n\n\n\n \"Frieze\n Frieze Sculpture 2026: The Hybrid World of Sculpture<\/strong>\n<\/a>\n\n\n\n

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London Beyond Frieze<\/h2>\n\n\n\n

Frieze\u2019s year-round gallery space at No.9 Cork Street<\/strong> marks its 5th anniversary in October with two exhibitions, each the gallery\u2019s first presentation at the space.<\/p>\n\n\n\n

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No History of Shapes<\/em> by Jordan Nassar, presented by The Third Line (Dubai)<\/strong>, features new embroidery and mosaics recontextualising Palestinian aesthetic traditions.<\/p>\n\n\n\n

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No.9 Cork Street exhibitions<\/figcaption><\/figure>\n\n\n\n
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Act Natural<\/em> by Robin F. Williams, presented by P\u00b7P\u00b7O\u00b7W (New York)<\/strong>, brings new paintings and works on paper together with social-media imagery, art history and popular culture, marking the artist\u2019s first solo presentation in the UK.<\/p>\n\n\n\n

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During Frieze Week, exhibitions across London extend the fair into the city, drawing international audiences to institutions including:<\/p>\n\n\n\n

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Tate Britain:<\/strong> The 90s: Art and Fashion; Hyundai Commission: Tarek Atoui<\/sup><\/p>\n\n\n\n

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Tate Modern:<\/strong> Frida: The Making of an Icon; Ana Mendieta<\/sup><\/p>\n\n\n\n

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British Museum:<\/strong> The Bayeux Tapestry<\/sup><\/p>\n\n\n\n

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Royal Academy of Arts:<\/strong> Richard Dadd Beyond Bedlam; Painting the French Riviera<\/sup><\/p>\n\n\n\n

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Design Museum:<\/strong> Es Devlin: Other Worlds<\/p>\n\n\n\n\n \"Es\n Es Devlin: Other Worlds \u2013 Inside the Mind of a World-Changing Practice<\/strong>\n<\/a>\n\n\n\n

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Whitechapel Gallery:<\/strong> Inji Efflatoun: The Poetics of Justice; Cecilia Vicu\u00f1a<\/sup><\/p>\n\n\n\n

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Courtauld Gallery:<\/strong> Winifred Gill: A Bloomsbury Pioneer; Salman Toor: Someone Like You<\/sup><\/p>\n\n\n\n

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Serpentine North:<\/strong> Amar Kanwar<\/sup><\/p>\n\n\n\n

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The Hayward Gallery:<\/strong> Anish Kapoor<\/sup><\/p>\n\n\n\n

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Camden Art Centre:<\/strong> Liz Larner<\/sup><\/p>\n\n\n\n

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National Gallery:<\/strong> Renoir and Love<\/sup><\/p>\n\n\n\n

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Barbican Art Gallery:<\/strong> Robert Ryman: The Real Thing<\/sup><\/p>\n\n\n\n

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South London Gallery:<\/strong> Monika Sosnowska<\/sup><\/p>\n\n\n\n

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1-54 Contemporary Art Fair at Somerset House<\/strong><\/p>\n\n\n\n

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Lady in Blue on Fourth Plinth at Trafalgar Square<\/strong> \u2013 by American Artist Tschabalala Self<\/sup><\/p>\n\n\n\n

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Cover Image: Frieze London 2025. Images courtesy of Ben Broomfield and Patrick Straub<\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

The 24th edition of Frieze London and the 14th edition of Frieze Masters return to The Regent\u2019s Park from 14\u201318 October 2026. Frieze London focuses on ambitious new work and the relationships shaping contemporary practice; Frieze Masters brings together scholarship and rediscovery, with works spanning millennia. Together, the fairs place contemporary art in dialogue with […]<\/p>\n","protected":false},"author":1456,"featured_media":77840,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4523],"tags":[3151,4743,1880],"class_list":["post-77839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fairs-and-biennials","tag-frieze-en","tag-frieze-london-en-2","tag-frieze-week"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/77839","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=77839"}],"version-history":[{"count":13,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/77839\/revisions"}],"predecessor-version":[{"id":77889,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/77839\/revisions\/77889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/77840"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=77839"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=77839"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=77839"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}