This year\u2019s edition sharpens its focus on the forces shaping American art today, with particular emphasis on Latinx, Indigenous, and diasporic perspectives. Reflecting Miami\u2019s unique position as a cultural bridge between North and South America, the fair offers a wide-angle view of the region\u2019s artistic influence within a global context.<\/p>\n\n\n\n
Bridget Finn, Director of Art Basel Miami Beach, notes: \u201cThe strength and caliber of this year\u2019s exhibitors underscores the fair\u2019s central role in the global art ecosystem. This edition reflects the vitality of artistic production across the Americas \u2014 and the fair\u2019s importance as a gateway for introducing groundbreaking international voices to the U.S. market.\u201d<\/p>\n\n\n\n
Specialized sectors in the fair are:<\/p>\n\n\n\n
- \n
- Galleries:<\/strong> The main sector, showcasing Modern, postwar, and contemporary art from leading international dealers.<\/li>\n<\/ul>\n\n\n\n
- \n
- Nova:<\/strong> Presenting works made within the last three years by up to three artists.<\/li>\n<\/ul>\n\n\n\n
- \n
- Positions:<\/strong> Solo presentations by emerging artists from young galleries.<\/li>\n<\/ul>\n\n\n\n
- \n
- Survey:<\/strong> Focused on historically significant practices and overlooked figures.<\/li>\n<\/ul>\n\n\n\n
- \n
- Meridians:<\/strong> Large-scale works including installations, sculpture, and multimedia projects.<\/li>\n<\/ul>\n\n\n\n
- \n
- Kabinett:<\/strong> Curated \u201cmini-exhibitions\u201d inside gallery booths.<\/li>\n<\/ul>\n\n\n\n
- \n
- Zero10:<\/strong> Art and digital innovation, including immersive experiences and next-generation technology.<\/li>\n<\/ul>\n\n\n\n<\/div>\n\n\n\n
![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/Screenshot-2025-12-10-at-01.39.06-donusturuldugu-kaynak-png-1024x592.webp\")
<\/a>James Fuentes, Art Basel Miami Beach (5\u20137 December 2025). Courtesy Art Basel.<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nGalleries<\/strong><\/h3>\n\n\n\n
The Galleries sector assembles 226 premier dealers from the Americas, Europe, Asia, and Africa, mixing blue-chip heavyweights with rising programs. Modernist legacies and global dialogues take center stage, with booths revisiting women in Abstract Expressionism, Latin American geometric and kinetic pioneers, and Italian postwar innovation. Highlights include significant works by Lygia Clark, Lucio Fontana, Mary Ann Unger, Louisa Chase, and Andy Warhol, while newcomers bring fresh perspectives \u2014 from Indigenous abstraction (Patrick Dean Hubbell) to contemporary Iranian practices and South Asian feminist histories. The sector underscores a broadened, transcontinental view of Modern and contemporary art and marks the debut of several international galleries entering directly into the main sector.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/lisa-yukagave-donusturuldugu-kaynak-png-1024x523.webp\")
<\/a>Lisa Yuskavage, Peacock in the Garret, 2024 (detail) I David Zwirner<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nKabinett<\/strong><\/h3>\n\n\n\n
Kabinett gathers a series of tightly focused \u201cmini-exhibitions\u201d embedded within gallery booths, offering concentrated looks at historical, experimental, or concept-driven practices. Highlights include: Gray\u2019s presentation of Virtual Still Lifes<\/em> (1995\u201397), a late series by Roger Brown blending oil painting and sculptural assemblage; and Canada\u2019s installation of Marc Hundley\u2019s hand-stenciled and screen-printed T-shirts spanning 1997 to today, forming an intimate archive of personal memory, lyric fragments, and queer cultural codes. The sector emphasizes depth over scale, foregrounding precise curatorial gestures and distinct artistic voices.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/stanford-biggers-donusturuldugu-kaynak-png-1024x688.webp\")
<\/a>Sanford Biggers, Unsui (Mirror), 2025. Installation View at Desert X 2025. Courtesy of the artist and Marianne Boesky Gallery, New York and Aspen. Copyright and Photo by Lance Gerber.<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nMeridians<\/strong><\/h3>\n\n\n\n
Meridians \u2014 curated by Yasmil Raymond under the theme The Shape of Time<\/em> \u2014 showcases large-scale, ambitious works that extend beyond the limits of the traditional booth, including immersive environments, monumental sculpture, and multimedia installations. Highlights include: Huang Yong Ping\u2019s Double Wing<\/em> (2016) with Tang Contemporary Art, an imposing fusion of organic and mechanical forms exploring cycles of transformation; Lyle Ashton Harris\u2019s nine-panel photographic series The Watering Hole<\/em> (1996) at Maruani Mercier, tracing a decade of American cultural and political shifts; and Peter Blum Gallery\u2019s new painting by Luisa Rabbia, reimagining the iconic 1901 work The Fourth Estate<\/em> as a metaphysical reflection on collective presence and social solidarity. The sector expands the fair into a more cinematic and contemplative arena, where scale, history, and embodied experience converge.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/luisa-rabbia-donusturuldugu-kaynak-png-1024x552.webp\")
<\/a>Luisa Rabbia, The Network, 2024-25. Courtesy of Peter Blum Gallery.<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nNova<\/strong><\/h3>\n\n\n\n
Nova features 23 galleries presenting innovative works made in the past three years, with many booths centered on single-artist statements. Key highlights include Akeem Smith\u2019s archival scratch-off paintings exploring Dancehall culture; Renata Petersen\u2019s ceramic-and-glass environment rooted in Latin American spiritual traditions; Liz Collins\u2019s textile-driven investigations of queerness and gesture; and a cross-generational dialogue from Silverlens pairing Bernardo Pacquing with Nicole Coson on themes of migration and material memory. Hugo Crosthwaite\u2019s border-focused Ex-Voto<\/em> series offers a narrative reflection on survival and devotion.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/Widline-Cadet-donusturuldugu-kaynak-png-1024x597.webp\")
<\/a>Widline Cadet, Yellow Shirt and Sun Shadows, 2025. Courtesy of the artist and Nazarian \/ Curcio.<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nPositions<\/strong><\/h3>\n\n\n\n
Positions offers 16 solo presentations from emerging artists, many of them first-time exhibitors. Highlights include: Jos\u00e8fa Ntjam\u2019s sculptural triptych merging Afrodiasporic cosmology with archival and speculative imagery; Carolina Fusilier\u2019s hybrid sculptural compositions envisioning a post-human landscape of decaying machines and organic remnants; Kelsey Isaacs\u2019s cinematic, life-size paintings layered with embedded video; Yoshitaka Amano\u2019s crossover between anime\/fantasy visual worlds and painterly abstraction; and Cisco Merel\u2019s performative architectural environment rooted in Panamanian communal building practices. The sector foregrounds experimentation with form, mythology, materiality, and world-building.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/carolina-fusiler-donusturuldugu-kaynak-png-1024x684.webp\")
<\/a>Carolina Fusiler, Anahuacalli, Jardin biocosmitas. Photo by Ramiro Chaves.<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nSurvey<\/strong><\/h3>\n\n\n\n
Survey focused on historically significant practices, with several strong single-artist presentations. Galerie Lelong highlighted Ana Mendieta\u2019s early film and photographic works, emphasizing her experimentation with ritual and landscape during the 1970s. Alexander Gray Associates presented a concise selection of Hassan Sharif\u2019s assemblages, underscoring his role in shaping conceptual art in the Gulf region. PKM Gallery devoted its booth to Kim Kulim, showing key pieces from the late 1960s that documented his early avant-garde interventions. Elvira Moreno Gallery featured Luis Fernando Zapata\u2019s Stela II (1988), a key work that illustrated the artist\u2019s engagement with geometric abstraction and material experimentation.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/Bukhara-Biennial-donusturuldugu-kaynak-png-1-scaled-e1764492225572-1024x446.webp\")
<\/a>Luis Fernando Zapata, Stela II, 1988, Courtesy of Elvira Moreno Gallery. Photo by Oscar Monsalve.<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nZero10<\/strong><\/h3>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/beeple-donusturuldugu-kaynak-png-1024x452.webp\")
<\/a>Regular Animals, Beeple<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nZero10 marks Art Basel\u2019s new curated platform dedicated to digital-era art, debuting in Miami Beach with support from OpenSea. Named after Malevich\u2019s groundbreaking \u201c0,10\u201d exhibition, the initiative aims to redefine how digital art is presented and collected within the contemporary market. Curated by Eli Scheinman, the inaugural edition includes major players in digital culture and blockchain-based creativity \u2014 among them AOTM, Art Blocks, Asprey Studio, Beeple Studios, bitforms, Fellowship, Heft, Visualize Value, Nguyen Wahed, Onkaos, Pace Gallery, and SOLOS \u2014 as well as a special presentation of Lu Yang from the UBS Art Collection. Zero10 establishes a new institutional anchor for digital practice within Art Basel\u2019s global ecosystem.<\/p>\n\n\n\n
<\/div>\n\n\n\nArt Basel Miami Beach 2025 Visitor Information<\/strong><\/h3>\n\n\n\n
Preview days (by invitation only):<\/strong> Wednesday, December 3, and Thursday, December 4, 2025<\/p>\n\n\n\n
Public days:<\/strong> Friday, December 5 till Sunday 7, 2025, 11am\u20136pm<\/p>\n\n\n\n
Venue:<\/strong> Miami Beach Convention Center, 1901 Convention Center Drive, Miami Beach, FL<\/p>\n\n\n\n
<\/div>\n\n\n\nMiami Art Week Satellite Fairs & Events<\/strong><\/h2>\n\n\n\n
<\/div>\n\n\n\nDesign Miami<\/strong><\/h3>\n\n\n\n
Dec 3\u20138, 2025<\/strong> \u2022 Convention Center Drive & 19th St, Miami Beach
The premier global fair for collectible design, presenting top-tier furniture, lighting, and experimental design objects.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/image-1024x576.webp\")
<\/a>Design Miami<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nINK Miami Art Fair<\/strong><\/h3>\n\n\n\n
Dec 3\u20137, 2025<\/strong> \u2022 Suites of Dorchester, 1850 Collins Ave, Miami Beach
A focused fair dedicated to fine art on paper, featuring publishers, print studios, and galleries in an intimate hotel-suite setting.<\/p>\n\n\n\n<\/div>\n\n\n\nUntitled Art, Miami Beach<\/strong><\/h3>\n\n\n\n
Dec 3\u20138, 2025<\/strong> \u2022 Ocean Drive & 12th Street, Miami Beach
A curated fair known for championing emerging and mid-career artists, with a strong emphasis on inclusivity and discovery.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-30-at-19.31.00-donusturuldugu-kaynak-png-1024x687.webp\")
<\/a>Untitled Art, Miami Beach<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nSCOPE Miami Beach<\/strong><\/h3>\n\n\n\n
Dec 2\u20137, 2025<\/strong> \u2022 Ocean Drive & 8th\u201310th Streets, Miami Beach
A contemporary art fair known for experimental programming, large installations, and forward-looking emerging galleries.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/image-1-1024x576.webp\")
<\/a>SCOPE Miami Beach<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nNADA Miami<\/strong><\/h3>\n\n\n\n
Dec 2\u20136, 2025<\/strong> \u2022 Ice Palace Studios, 1400 North Miami Ave, Miami
New Art Dealers Alliance\u2019s flagship fair, spotlighting independent, experimental galleries and new artist voices.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/image-2-1024x576.webp\")
<\/a>NADA Miami<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nArt Miami (with CONTEXT Art Miami)<\/strong><\/h3>\n\n\n\n
Dec 2\u20137, 2025<\/strong> \u2022 One Herald Plaza, NE 14th St & Biscayne Bay
One of Miami\u2019s longest-running fairs, presenting established, modern, and contemporary artists with strong market presence. CONTEXT Art Miami is the sister fair to Art Miami and is dedicated to the development and reinforcement of emerging and mid-career artists.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/art-miami-donusturuldugu-kaynak-png-1024x649.webp\")
<\/a>Art Miami<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nRed Dot Miami + Spectrum Miami<\/strong><\/h3>\n\n\n\n
Dec 3\u20137, 2025<\/strong> \u2022 Mana Wynwood, 2217 NW 5th Ave, Wynwood
Twin fairs offering a broad mix of contemporary art from independent galleries, emerging artists, and international exhibitors.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/image-4-1024x576.webp\")
<\/a>Spectrum Miami and Red Dot Miami<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nphotoMiami<\/strong><\/h3>\n\n\n\n
Dec 32\u20137, 2025<\/strong> \u2022 2300 N. Miami Avenue in the Wynwood Arts District<\/p>\n\n\n\n
A curated survey of contemporary photography, presenting work by emerging and established artists who are expanding the possibilities of lens-based art.<\/p>\n\n\n\n
<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/photoMiami-donusturuldugu-kaynak-png-e1764591483503-1024x984.webp\")
<\/a>Cavanagh Foyle, photoMiami<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nWhile in Wynwood, do not miss:<\/p>\n\n\n\n
Wynwood Walls \u2013 \u201cONLY HUMAN\u201d<\/strong><\/h3>\n\n\n\n
Nov 24 \u2013 Dec 1, 2025<\/strong> \u2022 Wynwood Walls Museum, 2516 NW 2nd Ave, Miami
The street-art museum\u2019s 2025 theme, ONLY HUMAN<\/em>, debuts new murals and large-scale works exploring identity and emotional experience.<\/p>\n\n\n\n<\/div>\n\n\n\n![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/Only-Human-Wynwood-Walls-Museum-Miami-Art-Week-2025_dezeen_2364_col_0-donusturuldugu-kaynak-jpg-1024x576.webp\")
<\/a>Wynwood Walls<\/figcaption><\/figure>\n\n\n\n <\/div>\n\n\n\nFaena Art<\/strong><\/h3>\n\n\n\n
Dec 2\u20137, 2025<\/strong> \u2022 Faena District, Miami Beach
Celebrating its 10th year with monumental public installations, including a major new immersive work by Es Devlin, free and open to the public.<\/p>\n\n\n\n
- Zero10:<\/strong> Art and digital innovation, including immersive experiences and next-generation technology.<\/li>\n<\/ul>\n\n\n\n
- Kabinett:<\/strong> Curated \u201cmini-exhibitions\u201d inside gallery booths.<\/li>\n<\/ul>\n\n\n\n
- Meridians:<\/strong> Large-scale works including installations, sculpture, and multimedia projects.<\/li>\n<\/ul>\n\n\n\n
- Survey:<\/strong> Focused on historically significant practices and overlooked figures.<\/li>\n<\/ul>\n\n\n\n
- Positions:<\/strong> Solo presentations by emerging artists from young galleries.<\/li>\n<\/ul>\n\n\n\n
- Nova:<\/strong> Presenting works made within the last three years by up to three artists.<\/li>\n<\/ul>\n\n\n\n
![\"\"](\"https:\/\/art50.net\/wp-content\/uploads\/2025\/11\/Screenshot-2025-12-10-at-01.39.06-donusturuldugu-kaynak-png.webp\")
<\/a>