{"id":70915,"date":"2025-12-19T00:00:24","date_gmt":"2025-12-18T21:00:24","guid":{"rendered":"https:\/\/art50.net\/?p=70915"},"modified":"2025-12-19T00:27:30","modified_gmt":"2025-12-18T21:27:30","slug":"your-fall-winter-2025-guide-to-contemporary-art-in-milan","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/your-fall-winter-2025-guide-to-contemporary-art-in-milan\/","title":{"rendered":"Your Fall\/Winter 2025 Guide to Contemporary Art in Milan"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This fall and winter, Milan is buzzing with fresh creative energy, as museums and cultural spaces across the city host a vibrant mix of exhibitions. From iconic names like Nan Goldin, Leonora Carrington, and Man Ray to immersive installations at Fondazione Prada and Pirelli HangarBicocca, the city offers a rich season of contemporary experiences.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The long-anticipated opening of Thaddaeus Ropac\u2019s new Milan gallery adds to the momentum\u2014marking a new chapter for the city as a growing hub on the international art scene.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Curated especially for contemporary art lovers, this guide brings together the must-see shows happening from mid-September 2025 through the end of the year\u2014spotlighting bold ideas, new voices, and fresh perspectives in today\u2019s art world.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Pirelli HangarBicocca \u2013 Yuko Mohri: Entanglements<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Pirelli HangarBicocca (Shed)<\/li>\n\n\n\n<li><b>Duration:<\/b> September 18, 2025 \u2013 January 11, 2026<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A contemplative sculptural installation where organic forms and mechanical structures converge to create poetic sensory environments.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-scaled.webp\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"472\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-1024x472.webp\" alt=\"\" class=\"wp-image-70815\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-1024x472.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-600x277.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-300x138.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-768x354.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-1536x708.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Yuko-Mohri-2048x944.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Yuko Mohri, Entanglements, Pirelli HangarBicocca<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Pirelli HangarBicocca \u2013 Nan Goldin: This Will Not End Well<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Pirelli HangarBicocca (Navate)<\/li>\n\n\n\n<li><b>Duration:<\/b> October 11, 2025 \u2013 February 15, 2026<\/li>\n\n\n\n<li><b>Curators:<\/b> Roberta Tenconi with Lucia Aspesi (presentation by Fredrik Liew)<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><p class=\"p1\">A powerful retrospective bringing together Nan Goldin\u2019s iconic slideshow films, including <i>The Ballad of Sexual Dependency<\/i>, <i>The Other Side<\/i>, <i>Sisters, Saints and Sibyls<\/i>, <i>Fire Leap<\/i>, <i>Memory Lost<\/i>, and <i>Sirens<\/i>. Two new works and an immersive sound installation expand the narrative, offering an unflinching look into themes of identity, addiction, intimacy, and resistance through Goldin\u2019s deeply personal visual language.<\/p><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-1024x567.webp\"><img decoding=\"async\" width=\"1024\" height=\"567\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-1024x567.webp\" alt=\"\" class=\"wp-image-73593\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-1024x567.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-600x332.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-300x166.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-768x426.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png-1536x851.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Screenshot-2025-12-09-at-22.04.32-donusturuldugu-kaynak-png.webp 1942w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Sisters,&nbsp;Saints, Sibyls&nbsp;&#8211;&nbsp;Nan Goldin, This Will Not End Well, Pirelli HangarBicocca<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fondazione Prada \u2013 \u201cSue\u00f1o Perro: Instalaci\u00f3n Celuloide de Alejandro G. I\u00f1\u00e1rritu\u201d<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Fondazione Prada<\/li>\n\n\n\n<li><b>Duration:<\/b> September 18, 2025 \u2013 February 26, 2026<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A multisensory installation reconstructing previously unseen Amores Perros footage in analog film, delivering an emotional, immersive cinematic experience.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro-1024x459.webp\"><img decoding=\"async\" width=\"1024\" height=\"459\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro-1024x459.webp\" alt=\"\" class=\"wp-image-70819\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro-1024x459.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro-600x269.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro-300x134.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro-768x344.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Sueno-Perro.webp 1120w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Sue\u00f1o Perro, Instalaci\u00f3n Celuloide de Alejandro G. I\u00f1\u00e1rritu, Fondazione Prada<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fondazione Prada \u2013 Hito Steyerl<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Osservatorio, Fondazione Prada<\/li>\n\n\n\n<li><b>Duration:<\/b> December 4, 2025 \u2013 October 30, 2026<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>An immersive video and installation project exploring climate crisis and geopolitical fragility via holographic and audiovisual technologies.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><p class=\"p1\"><b>Palazzo Reale \u2013 Leonora Carrington: Retrospective<\/b><\/p><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Palazzo Reale, Milan<\/li>\n\n\n\n<li><b>Duration:<\/b> September 20, 2025 \u2013 January 11, 2026<\/li>\n\n\n\n<li><b>Curators:<\/b> Tere Arcq &amp; Carlos Mart\u00edn<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Italy\u2019s first solo show of Carrington, showcasing over 60 works across media\u2014surrealist, mythological, feminist, and imaginative themes.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-scaled.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-1024x768.webp\" alt=\"\" class=\"wp-image-71840\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-1024x768.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-600x450.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-300x225.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-768x576.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-1536x1152.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/leonpra-donusturuldugu-kaynak-jpg-2048x1536.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Leonora Carrington, Grandmother Moorhead\u2019s Aromatic Kitchen, Palazzo Reale, Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Palazzo Reale \u2013 Man Ray: Shapes of Light<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Palazzo Reale, Milan<\/li>\n\n\n\n<li><b>Duration:<\/b> September 24, 2025 \u2013 January 11, 2026<\/li>\n\n\n\n<li><b>Curators:<\/b> PierreYves Butzbach &amp; Robert Rocca<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A comprehensive retrospective showcasing the artist\u2019s innovative photographic techniques and wide-ranging work. Featuring surreal and striking images created through experimental methods like rayographs and solarization, the exhibition reveals Man Ray\u2019s creative vision.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-scaled.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"636\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-1024x636.webp\" alt=\"\" class=\"wp-image-71837\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-1024x636.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-600x373.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-300x186.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-768x477.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-1536x954.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/man-rayIMG_8612-donusturuldugu-kaynak-jpg-2048x1272.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Man Ray, Shapes of Light, Palazzo Reale, Photo: G\u00fcliz \u00d6zbek<strong> <\/strong>Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>MUDEC \u2013 M.C. Escher: Between Art and Science<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> MUDEC<\/li>\n\n\n\n<li><b>Duration:<\/b> September 25, 2025 \u2013 February 8, 2026<\/li>\n\n\n\n<li><b>Curators:<\/b> Claudio Bartocci, Paolo Branca &amp; Claudio Salsi<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A visual exploration of Escher\u2019s work, bridging geometry, tessellation, paradox, and perception in art.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-1024x548.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"548\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-1024x548.webp\" alt=\"\" class=\"wp-image-70825\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-1024x548.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-600x321.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-300x161.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-768x411.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher-1536x822.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/M.C.-Escher.webp 1554w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">M.C. Escher, Between Art and Science, MUDEC<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>GAM \u2013 Sara Enrico: Under the Skin, Beyond the Sun<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Galleria d\u2019Arte Moderna (GAM)<\/li>\n\n\n\n<li><b>Duration:<\/b> September 16 \u2013 December 14, 2025<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A solo exhibition exploring the relationship between body, material, and space through fabric-based sculptural works. Enrico&#8217;s hybrid forms blur the lines between architecture, textile, and the human body, inviting reflection on perception and transformation.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-scaled.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"492\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-1024x492.webp\" alt=\"\" class=\"wp-image-71969\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-1024x492.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-600x288.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-300x144.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-768x369.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-1536x737.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Slide-16_9-1-donusturuldugu-kaynak-png-2048x983.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Sara Enrico: Under the Skin, Beyond the Sun, GAM, Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>GAM \u2013 Pellizza da Volpedo: I capolavori<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Galleria d\u2019Arte Moderna (GAM)<\/li>\n\n\n\n<li><b>Duration:<\/b> September 26, 2025 \u2013 January 25, 2026<\/li>\n\n\n\n<li><b>Curators:<\/b> Aurora Scotti &amp; Paola Zatti<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><p class=\"p1\">A focused exhibition centered on <i>Il Quarto Stato<\/i> and divisionist, socially engaged painting in turnofthecentury Italy.<\/p><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1610\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791.webp\" alt=\"\" class=\"wp-image-71971\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791.webp 2560w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791-600x377.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791-1024x644.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791-300x189.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791-768x483.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791-1536x966.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/IMG_8890-donusturuldugu-kaynak-jpg-scaled-e1760004401791-2048x1288.webp 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/a><figcaption class=\"wp-element-caption\">Pellizza da Volpedo (1868-1907) I Capolavori, GAM, Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Thaddaeus Ropac \u2013 Georg Baselitz &amp; Lucio Fontana: L\u2019aurora viene<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Thaddaeus Ropac Gallery, Palazzo Belgioioso<\/li>\n\n\n\n<li><b>Duration:<\/b> September 20 \u2013 October 30, 2025<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A powerful inaugural exhibit juxtaposing Baselitz\u2019s expressive figures and sculpture with Fontana\u2019s spatial concepts (Concetti Spaziali), revealing tension between gesture and void.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac-1024x821.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"821\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac-1024x821.webp\" alt=\"\" class=\"wp-image-70829\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac-1024x821.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac-600x481.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac-300x241.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac-768x616.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Thaddaeus-Ropac.webp 1494w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Thaddaeus Ropac Milan, Palazzo Belgioioso<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Triennale Milano \u2013 Alfa Castaldi: Style Dialogues<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Triennale Milano<\/li>\n\n\n\n<li><b>Duration:<\/b> Until November 9, 2025<\/li>\n\n\n\n<li><b>Curator:<\/b> Luca Stoppini<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A retrospective celebrating the work of Alfa Castaldi, a prominent Italian photographer known for his collaborations with Anna Piaggi at <i>Vogue<\/i> and his documentation of Milanese cultural life in the 1950s. The exhibition features a rich selection of his fashion and reportage photography.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi-1024x683.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi-1024x683.webp\" alt=\"\" class=\"wp-image-70831\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi-1024x683.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi-600x400.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi-300x200.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi-768x512.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Alfa-Castaldi.webp 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Foto di Andres Gambelluri \u2013 Say Who<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Triennale Milano \u2013&nbsp;<\/strong><strong>Inequalities&nbsp;<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Triennale Milano<\/li>\n\n\n\n<li><b>Duration:<\/b> Until November 9, 2025<\/li>\n\n\n\n<li><strong><b>Curator<\/b>:<\/strong> Different curators for each exhibition and project<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><span class=\"s3\"><span lang=\"TR\">S<\/span><\/span><span class=\"s3\">ince 1923, Triennale has invited designers, architects, and artists from around the world<\/span><span class=\"s3\"><span lang=\"TR\"> every three years<\/span><\/span><span class=\"s3\"> to explore the most pressing issues of our time. The 24th edition,&nbsp;<\/span><span class=\"s4\"><i>Inequalities<\/i><\/span><span class=\"s3\">, opens its doors with 10 exhibitions, 8 special projects, and 20 international contributions\u2014offering installations and events that share fresh perspectives, urgent questions, and visions for a more inclusive future.<\/span><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-scaled.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"721\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-1024x721.webp\" alt=\"\" class=\"wp-image-71006\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-1024x721.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-600x423.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-300x211.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-768x541.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-1536x1082.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Triennale-Milano-2048x1442.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Triennale Milano<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><p class=\"p1\"><b>Nilufar Depot \u2013 30th Anniversary Exhibition<\/b><\/p><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><b>Location:<\/b> Nilufar Depot, Viale Lancetti 34<\/li>\n\n\n\n<li><b>Duration:<\/b> Starting October 1, 2025<\/li>\n\n\n\n<li><b>Curator:<\/b> Nina Yashar<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>An immersive celebration of three decades of design curation, featuring archival and contemporary works arranged scenographically.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot-1024x786.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"786\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot-1024x786.webp\" alt=\"\" class=\"wp-image-70833\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot-1024x786.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot-600x461.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot-300x230.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot-768x590.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/Nilufar-Depot.webp 1422w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Nilufar Depot<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>I Chiostri di Sant&#8217;Eustorgio \u2013 Dorothea Lange Exhibition<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Location: <\/strong>ll Museo Diocesano Carlo Maria Martini di Milano<\/li>\n\n\n\n<li><strong>Duration:<\/strong> 15 May\u0131s \u2013 19 Ekim 2025<\/li>\n\n\n\n<li><strong>Curators:<\/strong> <strong>&nbsp;<\/strong>W. Guadagnini, M. Poggi<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The exhibition honoring Dorothea Lange\u2019s 130th birthday presents the artist\u2019s remarkable career through 140 photographs. Beginning in the 1930s and 40s, Lange shifted from portrait photography to documentary work, capturing major social crises like the Wall Street crash and the Dust Bowl. The iconic &#8220;Migrant Mother&#8221; was created during this period.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio-1024x635.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"635\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio-1024x635.webp\" alt=\"\" class=\"wp-image-70972\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio-1024x635.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio-600x372.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio-300x186.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio-768x476.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2025\/09\/I-Chiostri-di-SantEustorgio.webp 1416w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">I Chiostri di Sant&#8217;Eustorgio, G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cover Image: Mudec Agora, photo by G\u00fcliz \u00d6zbek Collini<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This fall and winter, Milan is buzzing with fresh creative energy, as museums and cultural spaces across the city host a vibrant mix of exhibitions. From iconic names like Nan Goldin, Leonora Carrington, and Man Ray to immersive installations at Fondazione Prada and Pirelli HangarBicocca, the city offers a rich season of contemporary experiences. The [&hellip;]<\/p>\n","protected":false},"author":1456,"featured_media":73608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4596],"tags":[4733,4736,4741,4739,4734,4732,4737,4738],"class_list":["post-70915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-travels-en","tag-fondazione-prada-en","tag-gam-en","tag-milano-en","tag-nilufar-depot-en","tag-palazzo-reale-en","tag-pirelli-hangarbicocca-en","tag-thaddaeus-ropac-en","tag-triennale-milano-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/70915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=70915"}],"version-history":[{"count":39,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/70915\/revisions"}],"predecessor-version":[{"id":73973,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/70915\/revisions\/73973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/73608"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=70915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=70915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=70915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}