{"id":69994,"date":"2015-09-04T00:01:00","date_gmt":"2015-09-03T21:01:00","guid":{"rendered":"https:\/\/art50.net\/aylin-seckins-artinternational-2015-top-5-for-art50-net\/"},"modified":"2025-07-31T13:28:12","modified_gmt":"2025-07-31T10:28:12","slug":"aylin-seckins-artinternational-2015-top-5-for-art50-net","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/aylin-seckins-artinternational-2015-top-5-for-art50-net\/","title":{"rendered":"Aylin Se\u00e7kin\u2019s Artinternational 2015 Top 5 for art50.net"},"content":{"rendered":"<p><a href=\"http:\/\/artlog.art50.net\/wp-content\/uploads\/2015\/09\/seckin.jpeg\"><img decoding=\"async\" class=\"wp-image-3553 alignleft\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2019\/09\/seckin-680x1024-680x1024.jpeg\" alt=\"seckin\" width=\"110\" height=\"165\" \/><\/a><\/p>\n<p>Professor of Economics and an expert in art economy, Aylin Se\u00e7kin\u2019s top 5 selection:<\/p>\n<ul>\n<li>Anila Quayyum Agha, &#8220;Untitled&#8221;<\/li>\n<li><span data-reactid=\".5c.1:$6045675961594759601.2:0.0.0.0.0\"> Ansen, &#8220;Hang them all&#8221;<\/span><\/li>\n<li><span data-reactid=\".5c.1:$6045676118243943459.2:0.0.0.0.0\"> Vasconcelos, &#8220;El Churro&#8221;<\/span><\/li>\n<li><span data-reactid=\".5c.1:$6045678775625094654.2:0.0.0.0.0\"> Taner Ceylan, &#8220;Satyr 2&#8221;<\/span><\/li>\n<li><span data-reactid=\".5c.1:$6045679155758864384.2:0.0.0.0.0\"> Mohammad-Hossein Emad, &#8220;Ingurgitation from the Balance series&#8221;<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Professor of Economics and an expert in art economy, Aylin Se\u00e7kin\u2019s top 5 selection: Anila Quayyum Agha, &#8220;Untitled&#8221; Ansen, &#8220;Hang them all&#8221; Vasconcelos, &#8220;El Churro&#8221; Taner Ceylan, &#8220;Satyr 2&#8221; Mohammad-Hossein Emad, &#8220;Ingurgitation from the Balance series&#8221;<\/p>\n","protected":false},"author":1456,"featured_media":35769,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4516],"tags":[],"class_list":["post-69994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fuarlar-bienaller"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/69994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=69994"}],"version-history":[{"count":1,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/69994\/revisions"}],"predecessor-version":[{"id":69996,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/69994\/revisions\/69996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/35769"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=69994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=69994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=69994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}