{"id":68931,"date":"2025-07-16T15:31:43","date_gmt":"2025-07-16T12:31:43","guid":{"rendered":"https:\/\/art50.net\/?p=68931"},"modified":"2025-07-17T10:15:12","modified_gmt":"2025-07-17T07:15:12","slug":"stockholm-metro-stations","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/stockholm-metro-stations\/","title":{"rendered":"Stockholm Metro Stations"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

An Underground Gallery I Didn\u2019t See Coming<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

It\u2019s always the surprises that make travel unforgettable. You plan, you read the \u201cmust-see\u201d lists, you bookmark museums\u2014and then something unexpected swoops in and steals the show. That\u2019s exactly what happened to me in Stockholm.<\/p>

\u00a0<\/p>

After ticking off the Nationalmuseum, Moderna Museet, and Fotografiska (all amazing, by the way), I was craving something a little more unusual\u2014something artsy, but with its own twist. That\u2019s when I stumbled upon Stockholm\u2019s metro system and its underground art.<\/p>

\u00a0<\/p>

Turns out, Stockholm\u2019s metro is more than just a way to get around\u2014it\u2019s a full-on art journey. One hundred stations, and each one tells a different story. Some are quiet and introspective, others bold and theatrical. Since 1957, artists have been involved in shaping the stations as they were built, and even the older, less glamorous ones have been lovingly revamped with sculptures, murals, and installations.<\/p>

\u00a0<\/p>

Spending a day hopping from platform to platform felt like following a visual story across time\u2014from the mid-century visionaries of the ’50s to the radical experimenters of the ’70s and beyond.<\/p>

\u00a0<\/p>

Managed to see around 15 stations but here\u2019s a slice of what I saw and loved the most:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

T-Centralen<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1957 (second part: 1975)\u2028<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artist:<\/b> Per Olof Ultvedt<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The heartbeat of Stockholm\u2019s metro system. T-Centralen is where it all began\u2014the first station to feature public art. But it\u2019s the Blue Line platform, opened in 1975, that really stayed with me. Painted in soothing shades of blue, with delicate vines and stylized leaves sweeping across the walls and ceilings, it\u2019s a moment of quiet in the rush.<\/p>\n

\u00a0<\/p>\n

Per Olof Ultvedt, the Finnish-Swedish artist behind it, was known for his kinetic sculptures and collaborations with Jean Tinguely and Niki de Saint Phalle. Here, though, he was after calm. The theory goes that he chose blue not just for its visual appeal but because of its calming effect\u2014perfect for a station where people are rushing, changing trains, making moves. It gives you a pause. A breath.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
T-Centralen Station - Art by Per Olof Ultvedt - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Tekniska H\u00f6gskolan<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1973<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artist:<\/b> Lennart M\u00f6rk<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

If you\u2019re into science, this one\u2019s for you. Tekniska H\u00f6gskolan (Royal Institute of Technology) is Stockholm\u2019s main technical university, and the station right beneath it celebrates the spirit of invention.<\/p>\n

\u00a0<\/p>\n

Lennart M\u00f6rk filled the platform with visual nods to scientific history: Copernicus\u2019s heliocentrism, Newton\u2019s laws of motion, da Vinci\u2019s flying machines, and Polhem\u2019s mechanical alphabet. Most striking? The five giant Platonic solids hanging overhead\u2014each symbolizing an element: fire, water, air, earth, and ether. It\u2019s part physics lab, part cathedral.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Teknikse H\u00f6gskolan Station - Art by Lennart M\u00f6rk - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Stadion<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1973<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> \u00c5ke Pallarp and Enno Hallek<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Stadion was one of Stockholm\u2019s first \u201ccave stations,\u201d and at the time, people were weirded out by the idea. Underground spaces = creepy. So to make it feel lighter\u2014both literally and emotionally\u2014the artists painted a giant rainbow across a bright blue ceiling.<\/p>\n

\u00a0<\/p>\n

The nearby \u00d6stermalms IP sports ground is the heart of Stockholm Pride every year, and even though the rainbow wasn’t made specifically for Pride, it now feels like a perfect welcome. The rainbow lifts the whole space\u2014and reminds you that just above this tunnel is the sky, the city, and the Olympic Stadium (where the 1912 Olympics took place, by the way). There’s history in these colors.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Stadion Station - Art by \u00c5ke Pallarp & Enno Hallek - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Kungstr\u00e4dg\u00e5rden<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1977<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> Ulrik Samuelson<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Kungstr\u00e4dg\u00e5rden might be the most theatrical of all the stations. And no wonder\u2014it sits beneath one of Stockholm\u2019s oldest public parks, a site with a long royal history. The colors\u2014green, white, and red\u2014echo the formal French gardens that once grew above. Sculptures here are actually replicas of the Makal\u00f6s Palace\u2019s exterior art, which once stood on the same site before it burned down.<\/p>\n

\u00a0<\/p>\n

Even the biodiversity is special: Kungstr\u00e4dg\u00e5rden is the only place in Northern Europe where the cave-dwelling spider Lessertia dentichelis<\/i> lives, probably transported in construction equipment from Southern Europe. An unexpected guest in this dramatic underground world.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Kungstr\u00e4dg\u00e5rden Station - Art by Ulrik Samuelson - Photo by Dominik Gehl<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Solna Strand<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1985<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> Takashi Naraha\n<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

There\u2019s a kind of meditative stillness at Solna Strand. Blocks of white \u201cheavenly cubes\u201d appear to float above the dark cave walls\u2014Takashi Naraha\u2019s signature touch. Naraha, a Japanese sculptor, often worked with the concept of yin and yang, and this station plays with that duality.<\/p>\n

\u00a0<\/p>\n

The light cubes connect you to the sky outside, while a single dark cube outside the station mirrors the shadowy quiet below ground. The whole thing feels like a quiet philosophical poem\u2014an architectural haiku.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Solna Strand Station - Takashi Naraha - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Solna Centrum<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1975<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> Karl-Olov Bj\u00f6rk and Anders \u00c5berg<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Stepping into Solna Centrum is like walking into a dramatic Nordic painting. The ceiling glows in deep, sunset red; the walls are drenched in pine-forest green. The colors represent a stylized Swedish landscape: dense woods with a fiery sun dipping behind the trees.<\/p>\n

\u00a0<\/p>\n

Originally, Bj\u00f6rk and \u00c5berg created just the sweeping colors. But something felt missing\u2014so they went back and filled the walls with scenes and symbols reflecting hot-button issues of the 1970s: deforestation, environmental destruction, and the exodus from Sweden\u2019s rural areas. This station doesn\u2019t just look stunning\u2014it has a voice.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Solna Centrum Station - Art by Karl-Olov Bj\u00f6rk & Anders \u00c5berg - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Tensta<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1975<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> Helga Henschen, Arne Sedell, and Lars Henschen<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Tensta is one of Stockholm\u2019s most culturally diverse suburbs, and the artists leaned into that when designing the station. The result? A joyful, white-walled space filled with playful ceramic animals, leafy motifs, and big-hearted words like \u201cSolidarity\u201d<\/i>, \u201cKinship\u201d<\/i>, and \u201cA rose for the immigrants.\u201d<\/i><\/i><\/p>\n

\u00a0<\/p>\n

Helga Henschen wanted the space to feel welcoming\u2014like a home for everyone, regardless of background. And it does. It\u2019s gentle, warm, and full of hope. You can feel the intention behind every stroke.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Tensta Station - Art by Helga Henschen, Arne Sedell, Lars Henschen - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

M\u00f6rby Centrum<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1978<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> G\u00f6sta Wessel and Karin Ek<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

This one plays tricks on your eyes. The walls seem soft and simple\u2014pink and white from one end of the platform, gray-green and white from the other. But it’s not just paint\u2014it\u2019s an optical illusion created by lighting and shadow.<\/p>\n

\u00a0<\/p>\n

Wessel and Ek painted the wall\u2019s shadows from opposite directions, so the color shifts as you move. It\u2019s subtle, and you might miss it if you\u2019re rushing\u2014but it\u2019s meant to reflect the changing nature of a journey. Everything looks different, depending on where you’re coming from\u2014and where you’re going.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
M\u00f6rby Centrum Station - Art by G\u00f6sta Wessel & Karin Ek - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

R\u00e5dhuset<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1975<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> Sigvard Olsson<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

This station is like walking into an archaeological dig. Located on Kungsholmen island, beneath the Stockholm Courthouse, R\u00e5dhuset is washed in dusty pink\u2014echoing the colors of the Atlas Mountains, where artist Sigvard Olsson once traveled.<\/p>\n

\u00a0<\/p>\n

Olsson was deeply inspired by abstract expressionism, and here he wanted to create a sense of buried history\u2014like you\u2019re seeing remnants of things that once were. Look closely and you\u2019ll notice traces of old Kungsholmen: fragments, fossils, stories lost to time but rising now from the earth.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
R\u00e5dhuset Station - Art by Sigvard Olsson - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Akalla<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Opened:<\/b> 1977<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Artists:<\/b> Birgit St\u00e5hl-Nyberg<\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Akalla is drenched in ochre, and its ceramic panels glow with images of everyday life\u2014workers, families, leisure, community. Created in 1977 by Birgit St\u00e5hl-Nyberg, the work reflects the social ideals of the era.<\/p>\n

\u00a0<\/p>\n

St\u00e5hl-Nyberg was known for her political edge, and here she brings those values underground\u2014celebrating the dignity of daily life. Her work, influenced by French Cubist Fernand L\u00e9ger, feels strong and grounded.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t
Akalla Station - Art by Birgit St\u00e5hlNyberg - Photo by G\u00fcliz \u00d6zbek Collini<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

G\u00fcliz \u00d6zbek Collini<\/p>

\u00a0<\/p>

Cover Image: Dominik Gehl dominikgehl.com<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

An Underground Gallery I Didn\u2019t See Coming It\u2019s always the surprises that make travel unforgettable. You plan, you read the \u201cmust-see\u201d lists, you bookmark museums\u2014and then something unexpected swoops in and steals the show. That\u2019s exactly what happened to me in Stockholm. \u00a0 After ticking off the Nationalmuseum, Moderna Museet, and Fotografiska (all amazing, by […]<\/p>\n","protected":false},"author":1456,"featured_media":68988,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4595],"tags":[],"class_list":["post-68931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanat-seyahatleri-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/68931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=68931"}],"version-history":[{"count":32,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/68931\/revisions"}],"predecessor-version":[{"id":69016,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/68931\/revisions\/69016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/68988"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=68931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=68931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=68931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}