{"id":65489,"date":"2024-12-04T16:44:37","date_gmt":"2024-12-04T13:44:37","guid":{"rendered":"https:\/\/art50art.gurudesk.dev\/?p=65489"},"modified":"2026-03-11T11:37:05","modified_gmt":"2026-03-11T08:37:05","slug":"art-basel-miami-2024","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/art-basel-miami-2024\/","title":{"rendered":"Art Basel Miami 2024"},"content":{"rendered":"\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Art Basel Miami Beach 2024 takes place from <strong>December 6-8, 2024<\/strong>, at the Miami Beach Convention Center, with VIP Preview Days on <strong>December 4 &amp; 5<\/strong>.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Directed for the first time by Bridget Finn, Art Basel&#8217;s fair in the Americas hosts 286 premier galleries from 38 countries and territories, set to present the best of their distinguished programs.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>With its Global Lead Partner is UBS, the show welcomes its largest cohort of new exhibitors in over a decade, thoroughly re-invigorated with an exceptional 34 new galleries joining the fair across all sectors and 31 exhibitors set to present in the main sector for the first time.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65532\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"753\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain-1024x753.png\" alt=\"\" class=\"wp-image-65532\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain-1024x753.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain-600x441.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain-300x220.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain-768x564.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain-1536x1129.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/John-Chamberlain.png 1758w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">John Chamberlain, BORDERTOWN 63 OPUS 24, 2004. Courtesy of Anthony Meier, Mill Valley, Photo by Chris Grunder, San Francisco<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Reflecting the show&#8217;s home at the continental crossroads of Miami Beach, as well as its enduring commitment to platforming artistic excellence from the region, over two-thirds of exhibitors at this year&#8217;s Art Basel Miami Beach operate spaces in the Americas. They hail from the United States, Canada, Mexico, Brazil, Argentina, Peru, Chile, Colombia, and Uruguay, joining exhibitors from Europe, Asia, the Middle East, and Africa to present an unparalleled overview of artistic production in the region.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65534\"><img decoding=\"async\" width=\"1024\" height=\"789\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-1024x789.jpg\" alt=\"\" class=\"wp-image-65534\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-1024x789.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-600x462.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-300x231.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-768x592.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-1536x1183.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/isaac_julien-2048x1577.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Isaac Julien, Ogun\u2019s Return (Once Again\u2026 Statues Never Die), 2022. Courtesy of the artist and Nara Roesler.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Newcomers entering the main sector directly include: Gallery Baton (Seoul), Jan Kaps (K\u00f6ln), Pearl Lam Galleries (Hong Kong, Shanghai), Leeahn Gallery (Daegu, Seoul), Martos Gallery (New York), Gallery Wendi Norris (San Francisco), and Tim Van Laere Gallery (Antwerp, Rome). The sector will feature thirteen &#8216;graduating&#8217; galleries who exhibited in Nova, Positions, or Survey in 2023, with standouts including Isla Flotante (Buenos Aires), Central Fine (Miami Beach), Meredith Rosen Gallery (New York), Afriart Gallery (Kampala), Rele Gallery (Lagos, London, Los Angeles), Instituto de visi\u00f3n (Bogota), Edel Assanti (London), and Daniel Faria Gallery (Toronto).<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-65536\"><img decoding=\"async\" width=\"750\" height=\"1024\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Elena-Alonso-750x1024.png\" alt=\"\" class=\"wp-image-65536\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Elena-Alonso-750x1024.png 750w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Elena-Alonso-440x600.png 440w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Elena-Alonso-220x300.png 220w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Elena-Alonso-768x1048.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Elena-Alonso.png 1020w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">Elena Alonso, Kind and Sharp, 14, 2024. Courtesy the artist and Galerie Fabian Lang<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Once again, exhibitors present the highest-quality paintings, sculptures, installations, photographs, films, new media, and editioned works by rising talents and Modern and contemporary masters across Art Basel Miami Beach&#8217;s six sectors: <strong>Galleries, Kabinett, Nova, Positions, Survey, and Meridians.<\/strong><\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65530\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"675\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru-1024x675.png\" alt=\"\" class=\"wp-image-65530\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru-1024x675.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru-600x396.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru-300x198.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru-768x506.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru-1536x1013.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/catinca-tabacaru.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Catinca Tabacaru, Terrence Musekiwa, Mutumburi Wemunzwa (Thorn Remover), 2023, Courtesy of Catinca Tabacaru<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Galleries<\/strong>, the main sector, where over 200 Modern, postwar, and contemporary art dealers from the Americas and beyond will present the full breadth of their program.<\/li>\n\n\n\n<li><strong>Kabinett<\/strong>, where select galleries in the main sector exhibit thematic presentations in a distinct section of their booth<\/li>\n\n\n\n<li><strong>Nova<\/strong>, where younger galleries showcase work by up to three artists, created within the last three years<\/li>\n\n\n\n<li><strong>Positions<\/strong>, dedicated to showcases of emerging galleries and artists.<\/li>\n\n\n\n<li><strong>Survey<\/strong>, where galleries present historically relevant works created before the year 2000, with the aim of broadening our understanding of the conventional art historical canon<\/li>\n\n\n\n<li><strong>Meridians<\/strong>, the show&#8217;s curated sector for large-scale projects that transcend the traditional art fair booth, introduced in 2019.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65538\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"810\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Paula_Nicho_Cu_mez_6-1024x810.jpg\" alt=\"\" class=\"wp-image-65538\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Paula_Nicho_Cu_mez_6-1024x810.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Paula_Nicho_Cu_mez_6-600x474.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Paula_Nicho_Cu_mez_6-300x237.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Paula_Nicho_Cu_mez_6-768x607.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Paula_Nicho_Cu_mez_6.jpg 1448w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Paula Nicho C\u00famez, Seno de la naturaleza, 2024. Courtesy of Proyectos. Ultravioleta. Photograph by Margo Porres.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Meridians<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>On the occasion of its fifth anniversary, Meridians is curated for the first time this year by Yasmil Raymond, former director of Portikus and rector of the Hochschule f\u00fcr Bildende K\u00fcnste-St\u00e4delschule, Frankfurt and previous curator at The Museum of Modern Art, New York; Dia Art Foundation, New York; and Walker Art Center, Minneapolis.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>With a renewed focus on institutionally minded monumental sculpture, painting, and installation, Meridians features 17 projects &#8211; the majority created this year, alongside key historical pieces &#8211; by renowned American and international artists, including Alice Aycock, Rachel Feinstein, Roberto Huarcaya, Zhu Jinshi, Portia Munson, Jos\u00e9 Parl\u00e1, Lee ShinJa, and Franz West.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Titled&#8217;State of Becoming&#8217;, this iteration explores themes ranging from the unexpected contingencies of democracy to the heightened anxiety of global climate change.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65494\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"383\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--1024x383.png\" alt=\"\" class=\"wp-image-65494\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--1024x383.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--600x224.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--300x112.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--768x287.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--1536x574.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Yuan-Fang-Three-Moves-2024.--2048x766.png 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Yuan Fang, Three Moves, 2024. \u00a9 Yuan Fang. Courtesy of the artist and Skarstedt.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Highlights from Meridians include:<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Metal Storm (2024), a new bronze sculpture by American artist Rachel Feinstein (b. 1971), presented by Gagosian (New York, Basel, London, Geneva, Hong Kong, Paris, Rome). Feinstein, who was raised in Miami, will also be the subject of a major mid-career survey at The Bass Museum, on view during Art Basel Miami Beach.<\/li>\n\n\n\n<li>Bound Angel (2021), an enigmatic installation by American artist Portia Munson (b. 1961), featuring an immense oval dining table dressed in a tablecloth composed of used wedding dresses and a mannequin torso evoking a bound and faceless bride, enveloped in discarded objects in the shape of female angels, presented by P.P.O.W (New York).<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65501\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/2021_Bound_Angel_MUNSON_307-1-1024x683.jpg\" alt=\"\" class=\"wp-image-65501\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/2021_Bound_Angel_MUNSON_307-1-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/2021_Bound_Angel_MUNSON_307-1-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/2021_Bound_Angel_MUNSON_307-1-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/2021_Bound_Angel_MUNSON_307-1-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/2021_Bound_Angel_MUNSON_307-1.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Portia Munson and P\u00b7P\u00b7O\u00b7W, New York, Photo by Lance Brewer<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>La Famille dans la Joyeuse Verdure (The Family in the Joyful Green) (2015-2019), a large-scale embroidery hand-stitched over a four-year period, by the Argentine artist collective Chiachio &amp; Giannone (Leo Chiachio, b. 1969, and Daniel Giannone, b. 1964). Presented by Ruth Benzacar Galeria de Arte (Buenos Aires), the work pays tribute to the LGBTQ community and Indigenous Guarani culture.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65492\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"854\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone-1024x854.png\" alt=\"\" class=\"wp-image-65492\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone-1024x854.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone-600x500.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone-300x250.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone-768x641.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone-1536x1281.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Chiachio-Giannone.png 1640w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Chiachio &amp; Giannone, Detail of La Famille dans la Joyeuse Verdure, 2013-2019. Courtesy of the artist and Ruth Benzacar Galer\u00eda de Arte.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Inspired by urban spaces and city walls, Untitled (2024), a mural-sized diptych of cursives and calligraphic strokes by Miami-born, New York-based artist Jos\u00e9 Parl\u00e1 (b. 1973), presented by Ben Brown Fine Arts (London, Hong Kong, Palm Beach). The coincides with an exhibition of new works by Parla at P\u00e9rez Art Museum Miami, also on view during the show week.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Kabinett<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Conceived as a succession of jewel boxes dotted across the show floor, Kabinett will feature over 24 meticulously curated showcases within galleries&#8217; main booths, with standout proposals including:<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A singular presentation of wood paintings by Miriam Inez da Silva (1937-1996) that seeks to reconfigure her legacy as a narrator of Brazilian modernization processes from the 1950s to the 1990s, presented by Gomide&amp;Co. (S\u00e3o Paulo).<\/li>\n\n\n\n<li>The market debut of nearly a dozen paintings and works on paper from the 1940s by the master American Abstract-Expressionist painter Franz Kline (1910-1962) created prior to his affiliation with the New York School artists, presented by Hirschl &amp; Adler Modern (New York).<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65497\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"850\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline-1024x850.png\" alt=\"\" class=\"wp-image-65497\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline-1024x850.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline-600x498.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline-300x249.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline-768x637.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline-1536x1274.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Franz-kline.png 1656w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Franz Kline, Elizabeth (Reclining Woman), 1949. Courtesy of Hirschl &amp; Adler Modern<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A selection of lesser-known marble and bronze sculptures by Cuban-born, Puerto Rico-based artist Zilia S\u00e1nchez (b. 1926), a singular figure of Latin American Modernism and geometric abstraction, presented by Galerie Lelong &amp; Co. (New York, Paris). The 98-year-old artist is the subject of a major career survey currently on view at the Institute of Contemporary Art, Miami and traveling to the Museum of Puerto Rico in 2025.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Conversations &amp; Cultural Programming during the show<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A compelling series of live debates with art&#8217;s most exciting thought leaders, Conversations is curated for the first time in Miami Beach by American writer, editor, and educator Kimberly Bradley. This edition of Conversations kicks off with an in-depth conversation featuring Premiere Artist Shirin Nashat (b. 1957).<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Conversations will take place in the Miami Convention Center on 5-7 Dec., freely accessible to the public.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Miami vibes<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Beyond the fair halls, Art Basel Miami Beach once again powers an exciting, region-wide art week of world-class exhibitions and events taking place across Greater Miami and the surrounding areas. For the first time, Times Square Arts will bring their Midnight Moment program to Miami Beach during the show week, free to the public. The world&#8217;s largest and longest-running digital public art program showcasing work by leading contemporary artists on the electronic billboards of Times Square in New York City, Midnight Moment will present video works by 30 artists, projected nightly on the facade of Miami Beach&#8217;s SoundScape Park.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Further cultural programming includes:<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>The Bass Museum<\/strong><br>&#8216;Rachel Feinstein: The Miami Years&#8217;<br>&#8216;Ulla von Brandenburg: In Dialogue&#8217;<br>&#8216;(LA) HORDE: Heureux sous son ombre&#8217;<br>&#8216;Performing Perspectives: A Collection in Dialogue&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full wp-image-65503\"><img loading=\"lazy\" decoding=\"async\" width=\"910\" height=\"607\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir.webp\" alt=\"\" class=\"wp-image-65503\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir.webp 910w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-600x400.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-300x200.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-768x512.webp 768w\" sizes=\"(max-width: 910px) 100vw, 910px\" \/><figcaption class=\"wp-element-caption\">Rachel Feinstein, installation view of \u201cThe Miami Years\u201d at The Bass, 2024. Courtesy of The Bass \/ artsy.net<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>The Institute of Contemporary Art, Miami<\/strong><br>&#8216;Lucy Bull: The Garden of Forking Paths&#8217;<br>&#8216;Ding Shilun: Janus&#8217;<br>&#8216;Keiichi Tanaami: Dream Collage&#8217;<br>&#8216;Crossroads: Rubem Valentim&#8217;s 1960s&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full wp-image-65505\"><img loading=\"lazy\" decoding=\"async\" width=\"910\" height=\"774\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-1.webp\" alt=\"\" class=\"wp-image-65505\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-1.webp 910w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-1-600x510.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-1-300x255.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-1-768x653.webp 768w\" sizes=\"(max-width: 910px) 100vw, 910px\" \/><figcaption class=\"wp-element-caption\">Lucy Bull, Most Attractive, 2019. Courtesy of the artist and David Kordansky Gallery \/ artsy.net<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Locust Projects<\/strong><br>&#8216;Alexander Arrechea: Herramienta Desnuda (Bare Tool)&#8217;<br>&#8216;Alba Triana: Dialogue with the Primordial Sea&#8217;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Margulies Collection at the Warehouse<\/strong><br>&#8216;Historic Works from the Margulies Collection 1930s-1970s&#8217;<br>&#8216;Conceptual Works 1980s-2010s&#8217;<br>&#8216;Beyond the Single Image. Spanish Photography from the Foto Colectania Collection, Barcelona&#8217;<br>&#8216;Portraits from Here to There: Alec Soth and Jason Schmidt&#8217;<br>&#8216;Featured Installation: Do Ho Suh&#8217;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>MOCA, North Miami<\/strong><br>&#8216;Andrea Chung: Between Too Late and Too Early&#8217;<br>&#8216;Smita Sen: Embodied&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full wp-image-65507\"><img loading=\"lazy\" decoding=\"async\" width=\"910\" height=\"607\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-2.webp\" alt=\"\" class=\"wp-image-65507\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-2.webp 910w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-2-600x400.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-2-300x200.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-2-768x512.webp 768w\" sizes=\"(max-width: 910px) 100vw, 910px\" \/><figcaption class=\"wp-element-caption\">Andrea Chung, The Wailing Room, 2024. Photo by Zachary Balber. Courtesy of MOCA North Miami \/ artsy.net<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Norton Art Museum<\/strong><br>&#8216;Dragons: Commanders of Rain&#8217;<br>&#8216;Strike Fast, Dance Lightly: Artists on Boxing&#8217;<br>&#8216;Sorolla and the Sea&#8217;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>NSU Art Museum Fort Lauderdale<\/strong><br>&#8216;Jacqueline de Jong: Vicious Circles&#8217;<br>&#8216;Joel Meyerowitz: Temporal Aspects&#8217;<br>&#8216;Rose B. Simpson and vanessa german: IT INCLUDES EVERYONE, EVERYWHERE, ALWAYS&#8217;<br>&#8216;Cici McMonigle: Creatures for the Divine<br>&#8216;Peter Halley: The Mirror Stage&#8217;<br>&#8216;Louis M. Glackens: Pure Imagination&#8217;<br>&#8216;House of Glackens&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65509\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"715\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1-1024x715.jpg\" alt=\"\" class=\"wp-image-65509\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1-1024x715.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1-600x419.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1-300x209.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1-768x536.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1-1536x1072.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/cosmonautique-2048x1429-1.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Jacqueline de Jong: Vicious Circles \/ nsuartmuseum.org<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Patricia and Phillip Frost Art Museum<\/strong><br>&#8216;Fighters for Freedom: William H. Johnson Picturing Justice&#8217;<br>&#8216;Of what surrounds me: Amanda Bradley, Cristina Lei Rodriguez, and Mette Tommerup&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65511\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"476\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Screenshot_13-1024x476.jpg\" alt=\"\" class=\"wp-image-65511\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Screenshot_13-1024x476.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Screenshot_13-600x279.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Screenshot_13-300x140.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Screenshot_13-768x357.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/Screenshot_13.jpg 1176w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Fighters for Freedom: William H. Johnson Picturing Justice \/ frost.fiu.edu<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>P\u00e9rez Art Museum Miami<\/strong><br>&#8216;Jos\u00e9 Parl\u00e1: Homecoming&#8217;<br>&#8216;Jason Seife: Coming to Fruition&#8217;<br>&#8216;Calida Rawles: Away with the Tides&#8217;<br>&#8216;Every Sound Is a Shape of Time: Selections from PAMM&#8217;s Collection&#8217;<br>&#8216;Xican-a.o.x. Bodv&#8217;<br>&#8216;Antonia Wright: State of Labor&#8217;<br>&#8216;Cecilia Vicu\u00f1a: Quipu Gut&#8217;<br>&#8216;Beyond Representation: Performance Art Practices from the Caribbean and its Diasporas&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full wp-image-65513\"><img loading=\"lazy\" decoding=\"async\" width=\"910\" height=\"750\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-3.webp\" alt=\"\" class=\"wp-image-65513\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-3.webp 910w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-3-600x495.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-3-300x247.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/indir-3-768x633.webp 768w\" sizes=\"(max-width: 910px) 100vw, 910px\" \/><figcaption class=\"wp-element-caption\">Calida Rawles, Away with the Tides, 2024. Photo by Marten Elder. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London \/ artsy.net<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Rubell Museum<\/strong><br>&#8216;Vanessa Raw: This is How the Light Gets In, 2024 Artist-in-Residence&#8217;<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large wp-image-65516\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"415\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b-1024x415.jpg\" alt=\"\" class=\"wp-image-65516\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b-1024x415.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b-600x243.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b-300x122.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b-768x312.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b-1536x623.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/12\/G21-03b.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">rubellmuseum.org<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>2024 Miami Art Week Event Schedule<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>The Official Miami Art Week Kickoff Party\u2122 <\/strong><br>Coral Gables Museum<br>Monday Dec 2, 2024, 7-9 PM<br>Event Location: 285 Aragon Ave, Coral Gables, FL 33134<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Art Basel Miami Beach<\/strong><br>Dec 6-8, 2024<br>Miami Beach Convention Center<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Art Miami<\/strong><br>Dec 3 &#8211; 8, 2024<br>The Art Miami Pavilion<br>One Herald Plaza<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SATELLITE FAIRS<\/strong><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>The Official Miami Art Week\u2122 Pop-Up Show<\/strong><br>Saturday Dec 7, 2024: 10 AM to 6 PM<br>Sunday Dec 7, 2024: 10 AM to 6 PM<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>photoMIAMI\u2122<\/strong><br>Miami Art Week\u2019s only photo-centric photography show<br>Saturday Dec 7 &amp; Sunday Dec 8, 2024: 10 AM to 6 PM<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>AfriKin Art Fair<\/strong><br>Dec 1 &#8211; 8, 2024<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Aqua Art Miami<\/strong><br>Dec 4 &#8211; 8, 2024<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>CONTEXT Art Miami . <\/strong><br>Dec 3 &#8211; 8, 2024<br>The CONTEXT Art Miami Pavilion<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Design Miami <\/strong><br>Dec 3 &#8211; 8, 2024<br>Convention Center Drive &amp; 19th Street, Miami Beach<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>INK MIAMI Art Fair<\/strong><br>Dec 4 &#8211; 8, 2024<br>Suites of Dorchester<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>NADA Miami Art Fair <\/strong><br>Dec 3 &#8211; 7, 2024<br>Ice Palace Studios<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Red Dot Miami<\/strong><br>Dec 4 &#8211; 8, 2024<br>Mana Wynwood<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Scope Miami Beach <\/strong><br>Dec 3 &#8211; 8, 2024<br>801 Ocean Drive<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>UNTITLED Art, Miami Beach<\/strong><br>Dec 4 &#8211; 8, 2024<br>Ocean Drive &amp; 12th Street, Miami Beach<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Art Basel Miami Beach 2024 takes place from December 6-8, 2024, at the Miami Beach Convention Center, with VIP Preview Days on December 4 &amp; 5. Directed for the first time by Bridget Finn, Art Basel&#8217;s fair in the Americas hosts 286 premier galleries from 38 countries and territories, set to present the best of [&hellip;]<\/p>\n","protected":false},"author":1456,"featured_media":65543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4523],"tags":[],"class_list":["post-65489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fairs-and-biennials"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=65489"}],"version-history":[{"count":2,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65489\/revisions"}],"predecessor-version":[{"id":75270,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65489\/revisions\/75270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/65543"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=65489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=65489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=65489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}