{"id":65246,"date":"2024-10-09T01:21:13","date_gmt":"2024-10-08T22:21:13","guid":{"rendered":"https:\/\/art50art.gurudesk.dev\/?p=65246"},"modified":"2025-09-14T13:27:04","modified_gmt":"2025-09-14T10:27:04","slug":"frieze-london-frieze-masters-2024-bold-and-renewed-approaches","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/frieze-london-frieze-masters-2024-bold-and-renewed-approaches\/","title":{"rendered":"Frieze London &#038; Frieze Masters 2024:  Bold Approaches"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>It&#8217;s that time of year when Frieze transforms London into a city-wide art hub with <strong>Frieze London and Frieze Masters 2024<\/strong>. Taking place in The Regent\u2019s Park from <strong>9 \u2013 13 October 2024<\/strong>, the fairs will feature over 290 galleries from 43 countries.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frieze London introduces a bold new design by A Studio Between, with a reconfigured floorplan that enhances the visibility of its curated sections. In parallel, Frieze Masters adopts a refreshed curatorial direction under the leadership of Sheena Wagstaff, featuring an expanded Studio section that encourages visitors to explore connections between art from different eras.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65299\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"684\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47-1024x684.png\" alt=\"\" class=\"wp-image-65299\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47-1024x684.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47-600x401.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47-300x200.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47-768x513.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47-1536x1026.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.44.47.png 1602w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Johyun Gallery, Frieze London 2024. Photo: Linda Nylind<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A highlight of Frieze Masters is the inclusion of prominent Turkish artist Nil Yalter in the Spotlight exhibition, curated by Valerie Cassel Oliver. This exhibition showcases a thought-provoking selection of works by artists from the 1950s to the 1970s.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignnone size-large wp-image-65297\"><img decoding=\"async\" width=\"1024\" height=\"632\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39-1024x632.png\" alt=\"\" class=\"wp-image-65297\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39-1024x632.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39-600x370.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39-300x185.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39-768x474.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39-1536x948.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-12-at-11.49.39.png 1746w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Pace Gallery, Frieze Masters 2024. Photo: Hugo Glendinning<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frieze London and Frieze Masters are key parts of the larger and more ambitious Frieze Week, during which London\u2019s cultural institutions\u2014both established and emerging, public and private\u2014present a series of major exhibitions alongside the fairs, further enriching the city&#8217;s vibrant artistic landscape.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>East End Day and West End Night, Frieze Week&#8217;s signature events, will be back in 2024. On Sunday 6 October in the East End and Thursday 10 October in the West End, galleries and non-profit organisations will open their doors to the Frieze audience, hosting special events and private viewings.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full wp-image-65202\"><img decoding=\"async\" width=\"900\" height=\"667\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/east-end-1.png\" alt=\"\" class=\"wp-image-65202\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/east-end-1.png 900w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/east-end-1-600x445.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/east-end-1-300x222.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/east-end-1-768x569.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Zo\u00eb Carlon, Primula II, 2024, Oil on Aluminum, 35.5 x 28 cm. Image courtesy of South Parade and the artist \/ frieze.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Another important event within the week is undoubtedly <a href=\"https:\/\/art50.net\/en\/frieze-sculpture-2024-a-dynamic-approach-to-sculpture\/\">Frieze Sculpture<\/a>, curated by Fato\u015f \u00dcstek, which Art50.net covered here, see the full text for details.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Frieze London 2024<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frieze London 2024 is set to captivate visitors with its reimagined format, emphasising solo presentations and emerging artists at the forefront of contemporary art. Eva Langret, Director of Frieze London, states that this year&#8217;s fair will showcase more than 160 galleries from 43 countries, including some of London\u2019s defining spaces such as Arcadia Missa, Carlos\/Ishikawa, Sadie Coles HQ, Thomas Dane Gallery, and White Cube. Additionally, leading international galleries like Gagosian, Hauser &amp; Wirth, and David Zwirner will be in attendance. The fair will also feature the highly anticipated Artist-to-Artist program, which returns as a cornerstone of the artist-driven initiative, showcasing six solo presentations selected by renowned artists like Hurvin Anderson and Yinka Shonibare. A new themed section titled Smoke, organised by Pablo Jos\u00e9 Ram\u00edrez, will explore ceramic works that highlight diasporic and indigenous histories, emphasising ceramics as a significant aesthetic form in contemporary art. Furthermore, the Focus section will spotlight young galleries, supported by Stone Island, while the Editions section will offer limited-edition artworks, making collecting more accessible to new audiences. This year\u2019s changes promise fresh experiences and new perspectives, encouraging conversation and exchange among visitors.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Artist-to-Artist<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>This year, the acclaimed curated section Artist-to-Artist returns to Frieze London as a highlight of the fair\u2019s artist-driven program, following its successful debut in 2023. Featuring six solo presentations, each artist is selected by a renowned figure known for supporting emerging voices, emphasising the section\u2019s commitment to fostering connections within Frieze\u2019s global network. This year&#8217;s lineup includes Appau Jnr Boakye-Yiadom, chosen by Glenn Ligon; Rob Davis, selected by Rashid Johnson; Nengi Omuku, nominated by Yinka Shonibare; Massinissa Selmani, picked by Zineb Sedira; Magda Stawarska, selected by Lubaina Himid; and Peter Uka, chosen by Hurvin Anderson.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65204\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-1024x680.jpeg\" alt=\"\" class=\"wp-image-65204\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-1024x680.jpeg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-600x399.jpeg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-300x199.jpeg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-768x510.jpeg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-1536x1020.jpeg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/C2C9JQuD-2048x1360.jpeg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Peter Uka, Transit Point, 2023, Oil on canvas, 200 x 300 cm, Courtesy of the artist and Mariane Ibrahim<\/figcaption><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Focus<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The Focus section continues to serve as an incubator for rising talent, featuring 37 emerging artists from 20 countries. Supported by Stone Island, Focus provides young galleries with the opportunity to showcase groundbreaking work. This year&#8217;s highlights include artists such as Eva Gold, Tania Ximena, Benedikte Bjerre, and Fuentesal Arenillas. Dedicated to presenting solo and dual-artist exhibitions by galleries established in or after 2012, Focus emphasises the importance of emerging artists within thoughtfully curated frameworks. Frieze&#8217;s enduring commitment to nurturing young galleries is further enhanced this year by the guidance of advisors Joumana Asseily, Piotr Drewko, and C\u00e9dric Fauq.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65241\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"747\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-1024x747.jpeg\" alt=\"\" class=\"wp-image-65241\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-1024x747.jpeg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-600x438.jpeg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-300x219.jpeg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-768x560.jpeg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-1536x1120.jpeg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/t7UFB2ew-2048x1494.jpeg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Keti Kapanadze, Betwixt 2, 2018, Holz, Plastik, 240x423x39 cm, Courtesy of the artist and Gallery Artbeat<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Smoke<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Titled Smoke, the themed section at Frieze London 2024 delves into the transformative relationship between ceramics and non-Western histories. Curated by Pablo Jos\u00e9 Ram\u00edrez, the section brings together international artists who use clay in innovative ways to highlight ceramics as a powerful and enduring tradition in contemporary art, extending beyond Western art history into pre-colonial narratives. Featured artists include Ayla Tavares, Luc\u00eda Pizzani; Manuel Chavajay, Ad\u00e1n Vallecillo, Yeni Mao, Yuri Yuan, Karla Ekaterine Canseco, Roksana Pirouzmand, Christine Howard Sandoval, Linda Vallejo, and No\u00e9 Martinez<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-65208\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-683x1024.jpeg\" alt=\"\" class=\"wp-image-65208\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-683x1024.jpeg 683w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-400x600.jpeg 400w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-200x300.jpeg 200w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-768x1152.jpeg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-1024x1536.jpeg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-1365x2048.jpeg 1365w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/oebREBGw-scaled.jpeg 1707w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Murmurs, Roksana Pirouzmand, The Past Seeps Through the Present, 2022<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Editions<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Editions, launched in 2021, has become a gateway for new audiences to enter the art collecting world, providing the chance to acquire works from distinguished international artists at accessible prices. As it returns for its fourth year at Frieze London, Editions brings together esteemed publishers and galleries to showcase limited editions by some of the most celebrated contemporary artists of our time.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-65233\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"706\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.22.28-1024x706.png\" alt=\"\" class=\"wp-image-65233\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.22.28-1024x706.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.22.28-600x414.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.22.28-300x207.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.22.28-768x530.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.22.28.png 1502w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Grayson Perry, Our Town, 2023, Etching<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Frieze London Artist Award 2024<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The recipient of the Frieze London Artist Award 2024, Lawrence Lek\u2019s commission is available <a href=\"https:\/\/www.frieze.com\/video\/lawrence-lek-wins-frieze-london-2024-artist-award\">now online<\/a> for art enthusiasts to view. \u201cGuanyin: Confessions of a Former Carebot\u201d is a multimedia installation that follows a cyborg therapist striving to save fellow AIs from existential despair. You can explore this thought-provoking work online [here](insert link). Selected by a distinguished jury including Eva Langret, Canan Batur, and Mariam Zulfiqar, Lek\u2019s piece offers a compelling examination of the relationship between technology and emotion.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full wp-image-65210\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"534\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/KTXnuvFA.jpeg\" alt=\"\" class=\"wp-image-65210\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/KTXnuvFA.jpeg 800w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/KTXnuvFA-600x401.jpeg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/KTXnuvFA-300x200.jpeg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/KTXnuvFA-768x513.jpeg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Lawrence Lek, NOX Solo-Exhibition, LAS-Art-Foundation, Berlin, 2023, Photo: Andrea Rossetti<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Frieze Masters 2024<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frieze Masters returns from 9 \u2013 13 October 2024, showcasing an impressive lineup of 130 galleries from 26 countries. Under the insightful curation of Sheena Wagstaff, the fair beautifully intertwines historical narratives with contemporary expressions, inviting visitors to explore the profound impact of the past on today\u2019s artistic landscape.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65212\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"738\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/wIAMZImA-1024x738.jpeg\" alt=\"\" class=\"wp-image-65212\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/wIAMZImA-1024x738.jpeg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/wIAMZImA-600x432.jpeg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/wIAMZImA-300x216.jpeg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/wIAMZImA-768x554.jpeg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/wIAMZImA.jpeg 1110w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Chico da Silva (Francisco Domingos da Silva) Sem t\u00edtulo [Untitled], 1967, Guache sobre cart\u00e3o [Gouache on card], 76 x 113 cm, Photo: Ding Musa, Courtesy of Galatea<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Studio<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The Studio \u2014also curated by Wagstaff\u2014offers a deep dive into the creative process, illuminating how artists harness historical influences to spark innovation. This year\u2019s diverse roster includes luminaries such as Beatrice Caracciolo, Isabella Ducrot, Nathalie Du Pasquier, Shirazeh Houshiary, Kim Yun Shin, Mernet Larsen, Thaddeus Mosley, Doris Salcedo, Nilima Sheikh, and Adriana Varej\u00e3o. Each artist will present a blend of new works alongside earlier pieces, complemented by personal artefacts and items from their studios, crafting a rich dialogue between their past and present.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-65214\"><img loading=\"lazy\" decoding=\"async\" width=\"1022\" height=\"1024\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-1022x1024.jpeg\" alt=\"\" class=\"wp-image-65214\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-1022x1024.jpeg 1022w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-600x600.jpeg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-300x300.jpeg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-768x770.jpeg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-1532x1536.jpeg 1532w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/CM_AJKuQ-2043x2048.jpeg 2043w\" sizes=\"(max-width: 1022px) 100vw, 1022px\" \/><figcaption class=\"wp-element-caption\">Nathalie Du Pasquier, Untitled, 2024, Oil on canvas, 100 x 100 cm, Courtesy of the artist and Pace Gallery<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Spotlight<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Curated by Valerie Cassel Oliver, the Spotlight section shines a light on the contributions of underrepresented 20th-century artists, offering solo presentations that highlight their often-overlooked works. This year, the section features renowned figures such as Judy Chicago, Kulim Kim, and Donald Locke. Notably, AB-ANBAR Gallery will present a compelling solo exhibition of Nil Yalter, the esteemed Turkish-French artist who recently received the Golden Lion for Lifetime Achievement at the Venice Biennale. This showcase will centre around two significant paintings from the 1960s and a mixed-media installation from the 1970s, highlighting Yalter\u2019s enduring impact on contemporary art.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full wp-image-65216\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"662\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/XzDcSSfA.jpeg\" alt=\"\" class=\"wp-image-65216\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/XzDcSSfA.jpeg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/XzDcSSfA-544x600.jpeg 544w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/XzDcSSfA-272x300.jpeg 272w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Nil Yalter, Le Chevalier d&#8217;\u00c9on, 1978, Polaroid photograph from mixed media installation, 28 x 21.5 cm (framed), Image courtesy of Nil Yalter<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>If you can\u2019t attend Frieze London or Frieze Masters in person, you can still engage with the fairs virtually. Visit the <a href=\"https:\/\/viewingroom.frieze.com\/\">Frieze Viewing Room<\/a> from 2 \u2013 18 October to explore gallery presentations and discover artworks by leading contemporary artists through free of charge membership. For more information and to stay updated on the latest happenings, you can visit the official Frieze <a href=\"https:\/\/www.frieze.com\">website<\/a> and follow their social media channels. This way, you won&#8217;t miss out on the vibrant art showcased at the fairs!<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65235\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"692\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51-1024x692.png\" alt=\"\" class=\"wp-image-65235\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51-1024x692.png 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51-600x406.png 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51-300x203.png 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51-768x519.png 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51-1536x1039.png 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Screenshot-2024-10-08-at-23.14.51.png 1896w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Manuel Chavajay, Tz\u2019aqool B\u2019itolol \/ materia y energ\u00eda, 2024<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Art50net\u2019s Picks: Must-See Events during Frieze Week in London<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>As Frieze Week unfolds in London, a variety of outstanding exhibitions at renowned institutions and galleries await art enthusiasts. Art50 has curated a selection of 12 must-see shows to explore during this vibrant week. Here&#8217;s the list, in no particular order:<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>1-54 Contemporary African Art Fair at Somerset House:<\/strong> The 12th edition returns to London\u2019s Somerset House from 12-15 October 2024, showcasing over 160 artists across 60+ exhibitors, highlighting the dynamic works of artists from the continent and the global African diaspora.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignnone size-large wp-image-65291\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"984\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1024x984.jpg\" alt=\"\" class=\"wp-image-65291\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1024x984.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-600x577.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-300x288.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-768x738.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1536x1476.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-2048x1968.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>PAD London at Mayfair:<\/strong> The 16th edition of PAD London, the premier design fair in the UK, features a curated selection of modern and contemporary design from 62 leading galleries. On view from 8 to 13 October 2024 at Berkeley Square, Mayfair.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65276\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"687\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-1024x687.jpg\" alt=\"\" class=\"wp-image-65276\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-1024x687.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-600x402.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-300x201.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-768x515.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-1536x1030.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3434-2048x1373.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Zanele Muholi at Tate Modern: <\/strong>A comprehensive exhibition consisting of more than 300 photographs documenting Black LGBTQIA+ lives in South Africa by Zanele Muholi, one of the world&#8217;s leading photographers who defines herself as a visual activist. The exhibition, which includes new production photographs and sculptures in addition to photographs from the artist&#8217;s 2020-21 exhibition at Tate Modern c<span style=\"color: #555555;\">an be viewed until January 26, 2025.<\/span><\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65221\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/A741488_1.width-1200-1024x683.jpg\" alt=\"\" class=\"wp-image-65221\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/A741488_1.width-1200-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/A741488_1.width-1200-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/A741488_1.width-1200-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/A741488_1.width-1200-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/A741488_1.width-1200.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Zanele Muholi \/ tate.org.uk<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Marina Abramovi\u0107: Healing Frequency at Moco Museum London:<\/strong> In this exhibition, Marina Abramovi\u0107 presents twelve transformative works that explore the intersection of art, spirituality, and human consciousness. Through the use of &#8220;transitory objects,&#8221; she invites viewers to experience profound emotional and mental shifts. On view from 11 September 2024 to 11 March 2025.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignnone size-large wp-image-65293\"><img loading=\"lazy\" decoding=\"async\" width=\"924\" height=\"1024\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-924x1024.jpg\" alt=\"\" class=\"wp-image-65293\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-924x1024.jpg 924w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-541x600.jpg 541w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-271x300.jpg 271w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-768x851.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-1386x1536.jpg 1386w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/unnamed-1-1848x2048.jpg 1848w\" sizes=\"(max-width: 924px) 100vw, 924px\" \/><figcaption class=\"wp-element-caption\">Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Turner Prize 2024 at Tate Britain:<\/strong> The four shortlisted artists\u2014Pio Abad, Claudette Johnson, Jasleen Kaur, and Delaine Le Bas\u2014will display their eclectic works. The winner will be announced on 3 December 2024, continuing the tradition of celebrating outstanding British art since 1984. On view until 16 February.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65280\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/230628_Secession_DelaineLeBas_-5822.width-1440-1024x724.jpg\" alt=\"\" class=\"wp-image-65280\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/230628_Secession_DelaineLeBas_-5822.width-1440-1024x724.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/230628_Secession_DelaineLeBas_-5822.width-1440-600x424.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/230628_Secession_DelaineLeBas_-5822.width-1440-300x212.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/230628_Secession_DelaineLeBas_-5822.width-1440-768x543.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/230628_Secession_DelaineLeBas_-5822.width-1440.jpg 1440w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Delaine Le Bas Incipit Vita Nova. Here Begins The New Life\/A New Life is Beginning 2023 (detail) \u00a9 Delaine Le Bas photo credit: Iris Ranzinger<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Francis Bacon: \u2018Human Presence\u2019 at National Portrait Gallery:<\/strong> This major exhibition delves into the haunting and powerful portraits of Francis Bacon, featuring 55 works that explore his complex relationships and emotional depth. Bacon&#8217;s art transcends mere representation, offering profound insights into the human condition. On view from 14 October 2024.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65287\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"650\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-1024x650.jpg\" alt=\"\" class=\"wp-image-65287\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-1024x650.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-600x381.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-300x190.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-768x487.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-1536x974.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3570-2048x1299.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo: G\u00fcliz \u00d6zbek Collini<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Tracey Emin: \u2018I Followed You to the End\u2019 at White Cube Bermondsey:<\/strong> Tracey Emin returns to White Cube Bermondsey with new paintings and sculptures that navigate the themes of love, loss, mortality, and rebirth, drawing from her recent transformative experiences to explore life&#8217;s profound moments. On view until 10 November 2024.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-65289 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620-1024x768.webp\" alt=\"\" class=\"wp-image-65289\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620-1024x768.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620-600x450.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620-300x225.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620-768x576.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620-1536x1153.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/IMG_3620.webp 1919w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Tracey Emin, whitecube.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Claude Monet: The Griffin Catalyst Exhibition: Monet and London. Views of the Thames at The Courtauld Gallery:<\/strong> A unique opportunity to see Monet\u2019s paintings of the Thames, as originally intended for his public in Paris and London. On view from 27 September 2024 to 19 January 2025.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65223\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"662\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c-1024x662.jpg\" alt=\"\" class=\"wp-image-65223\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c-1024x662.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c-600x388.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c-300x194.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c-768x496.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c-1536x992.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/EXH.2024.CM_.011_Claude-Monet.-Waterloo-Bridge_c.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Claude Monet (1840-1926), Waterloo Bridge, Overcast, 1903, oil on canvas, Ordrupgaard, Denmark. Photo: Anders Sune Berg \/ courtauld.ac.uk<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Marlene Dumas: Mourning Marsyas at Frith Street Gallery:<\/strong> Emotive paintings capturing grief and displacement, blending swift gestures with reflective pauses. On view until 16 November 2024.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65225\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-1024x819.webp\" alt=\"\" class=\"wp-image-65225\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-1024x819.webp 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-600x480.webp 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-300x240.webp 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-768x614.webp 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-1536x1229.webp 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/frithstreetgallery-marlene-dumas-the-enemy-2018-2024-2048x1638.webp 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Marlene Dumas, The Enemy, 2018-2024 \/ frithstreetgallery.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Yayoi Kusama: EVERY DAY I PRAY FOR LOVE at Victoria Miro:<\/strong> This exhibition offers a rare chance to experience the Infinity Mirrored Room \u2013 Beauty Described by a Spherical Heart, along with new paintings and sculptures displayed throughout the gallery and waterside garden. Although tickets are fully booked, a limited number of free tickets are released weekly until the exhibition closes on 2 November 2024. Art lovers should keep an eye out for availability. However, Kusama fans can always visit her permanent public sculpture Infinite Accumulation at Liverpool Street Station. This polished stainless steel work, featuring spheres linked by curving lines, symbolizes urban individuality and is freely accessible year-round.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65227\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"691\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2-1024x691.jpg\" alt=\"\" class=\"wp-image-65227\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2-1024x691.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2-600x405.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2-300x203.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2-768x518.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2-1536x1037.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/yayoi-kusama-infinite-accumulation-2.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Yayoi Kusama, Infinite Accumulation (2024; London, London Liverpool Street). Photo: Thierry Bal. \u00a9 Yayoi Kusama. Courtesy of Ota Fine Arts and Victoria Miro.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Van Gogh: Poets and Lovers at The National Gallery:<\/strong> Celebrating the National Gallery&#8217;s 200th anniversary, this exhibition presents iconic works from Van Gogh&#8217;s final years, including The Yellow House and The Bedroom. On view until 19 January 2025.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-65229 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"815\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/n-3861-00-000045-hd-1024x815.jpg\" alt=\"\" class=\"wp-image-65229\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/n-3861-00-000045-hd-1024x815.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/n-3861-00-000045-hd-600x478.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/n-3861-00-000045-hd-300x239.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/n-3861-00-000045-hd-768x611.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/n-3861-00-000045-hd.jpg 1357w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Vincent van Gogh, &#8216;A Wheatfield, with Cypresses&#8217;, 1889, nationalgallery.org.uk<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Mike Kelley: \u2018Ghost and Spirit\u2019 at Tate Modern:<\/strong> This retrospective honours Mike Kelley, showcasing influential works like The Poltergeist and Extracurricular Activity Projective Reconstructions, which explore themes of absence and emotional aftermath. On view from 3 October 2024 to 9 March 2025.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65231\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mike-Kelley_ID006rt1_copy_cropped.width-1200-1024x683.jpg\" alt=\"\" class=\"wp-image-65231\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mike-Kelley_ID006rt1_copy_cropped.width-1200-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mike-Kelley_ID006rt1_copy_cropped.width-1200-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mike-Kelley_ID006rt1_copy_cropped.width-1200-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mike-Kelley_ID006rt1_copy_cropped.width-1200-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mike-Kelley_ID006rt1_copy_cropped.width-1200.jpg 1181w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Mike Kelley, The Poltergeist 1979 Sammlung Ringier \/ tate.org.uk<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cover Image: James Cohan, Frieze London 2024, Photo: Linda Nylind.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Text: Ezgi Ceren Kay\u0131r\u0131c\u0131<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s that time of year when Frieze transforms London into a city-wide art hub with Frieze London and Frieze Masters 2024. Taking place in The Regent\u2019s Park from 9 \u2013 13 October 2024, the fairs will feature over 290 galleries from 43 countries. Frieze London introduces a bold new design by A Studio Between, with [&hellip;]<\/p>\n","protected":false},"author":1456,"featured_media":65302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4516],"tags":[1604,1643,4576,3146,4579],"class_list":["post-65246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fuarlar-bienaller","tag-frieze","tag-frieze-london","tag-frieze-masters","tag-frieze-sculpture","tag-frieze-week-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=65246"}],"version-history":[{"count":3,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65246\/revisions"}],"predecessor-version":[{"id":71087,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65246\/revisions\/71087"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/65302"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=65246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=65246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=65246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}