{"id":65177,"date":"2024-10-04T22:20:55","date_gmt":"2024-10-04T19:20:55","guid":{"rendered":"https:\/\/art50art.gurudesk.dev\/?p=65177"},"modified":"2025-12-29T23:53:32","modified_gmt":"2025-12-29T20:53:32","slug":"9th-canakkale-biennial-let-time-run-its-course","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/9th-canakkale-biennial-let-time-run-its-course\/","title":{"rendered":"9th \u00c7anakkale Biennial \u2013 \u201cLet Time Run its Course\u201d"},"content":{"rendered":"\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>With the title \u201cLet Time Run its Course,\u201d the 9th \u00c7anakkale Biennial, hosted in 13 different venues and showcasing over 50 artists, opened its doors on October 4. Taking place from October 4 to November 11 this year, the biennial adopts an approach that prioritizes inclusivity, interaction, and dialogue.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignnone size-large wp-image-65195\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-1024x683.jpg\" alt=\"\" class=\"wp-image-65195\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Zafer-Meydani-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Zafer Meydan\u0131<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The 9th \u00c7anakkale Biennial\u2019s general artistic directorship is taken up by Seyhan Boztepe, founder of CABININ \u2013 \u00c7anakkale Biennial Initiative, with the guidance from the Biennial Board, which has shaped the event through its suggestions and contributions, includes Alper Aky\u00fcz, Burak Top\u00e7ak\u0131l, Deniz Erba\u015f, Didem \u00c7apa, Ebru Nalan S\u00fcl\u00fcn, Hakan Y\u0131lmaz, R\u00fcstem Aslan, Thouli Misirloglou, Ulrika Flink, and Zihni T\u00fcmer. Accompanying the main exhibitions, which will be held over six weeks at various locations, is a packed schedule of events and collaborations spread throughout the city. For the first time in its history, the biennial extends its reach to the art and cultural initiatives of areas like Assos and K\u00fc\u00e7\u00fckkuyu, alongside its usual venues in the city centre\u2019s historical and cultural sites, as well as the Troy Museum and its surroundings.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65193\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-1024x683.jpg\" alt=\"\" class=\"wp-image-65193\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_FeHAN-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">FEHAN Upstairs Korfmann Library<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>\u201cLet Time Run its Course\u201d \u2013 A Multidimensional Moment<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>According to the conceptual text of the biennial, the title \u201cLet Time Run its Course\u201d refers both to the primary meaning of the phrase and its connotations: \u201cIt suggests entrusting seemingly unsolvable situations\u2014those that require urgent attention but appear intractable under current conditions\u2014to the healing effect of time. It advocates for a calm approach rather than the haste implied by urgency. On one hand, it addresses the excitement, vitality, and high energy typically associated with \u2018youth,\u2019 while on the other, it proposes experiencing and perceiving the \u2018moments\u2019 of nature and humanity from a broader perspective, especially in contrast to the pressures of speed and simultaneity imposed by contemporary technologies.\u201d<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65187\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-1024x683.jpg\" alt=\"\" class=\"wp-image-65187\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_MAHAL-Sanat-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">MAHAL Art Habitat<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The 9th \u00c7anakkale Biennial opens this theme up for discussion and practise through three key axes. The first is Youth Culture and Art-Technology Connections; the second, Fresh Approaches to Global Issues, addresses \u201ccurrent global concerns affecting youth today, such as the \u2018future of professions,\u2019 \u2018environmental sustainability,\u2019 and \u2018mobility\u2019.\u201d Finally, the third axis is Art in the Transmission of Culture. The 9th \u00c7anakkale Biennial also embodies the desire to \u201centrust and pass on to the future\u201d nearly two decades of accumulated artistic production, institutional model development, strategy, and memory by letting it be carried forward in time.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image alignnone size-large wp-image-65189\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-1024x683.jpg\" alt=\"\" class=\"wp-image-65189\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_Troya-Muzesi-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Troy Museum<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Artists and Main Exhibition Venues<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The Troy Museum, MAHAL Art Habitat, St\u00fcdyo Mahal, FEHAN Upstairs Korfmann Library, Bordo Bina, and ASTIM Collective is to host the exhibitions within the frame of the 9th \u00c7anakkale Biennial, which presents a broad artist profile spanning generations and geographies: Ahmet Yi\u011fider, Ak\u0131n G\u00fcre\u015f, Alper Ayd\u0131n, Ani \u00c7elik Arevyan, Ataman Giri\u015fken, ATI SUFFIX, Ay\u015fen Urfal\u0131o\u011flu, Aytu\u011f Aykut, Berkin G\u00fclten, Berkin G\u00fcnsay, Bilal Y\u0131lmaz, Cem Sonel, Damla Sari, David Blandy, Deniz Kulaks\u0131zo\u011flu &amp; Can Y\u0131ld\u0131r\u0131m, Ecem Dilan K\u00f6se, Eda S\u00fctun\u00e7, Edith Roux, Erdal Duman, Eric Magassa, Esra Carus, Fatih K\u0131z\u0131lcan, F\u0131rat Engin, F\u00fcreya Koral, G\u00f6n\u00fcl Nuho\u011flu, G\u00fc\u00e7l\u00fc Polat, Hakan Y\u0131lmaz, Halit Demirel, Jane Jin Kaisen, Johannes Vogl, Jun&#8217;ichiro Ishii, Kaan Tanhan, Kerem Meri\u00e7, Madlen Hirtentreu, Murat Cem Baytok, Mustafa Akkaya, Nejat Birecik, \u00d6m\u00fcr Tokg\u00f6z, Rabia Seyhan, Serhat Kiraz &amp; Hakan G\u00fcnd\u00fcz, Seyhun Topuz, S\u00fcleyman Y\u0131lmaz, Tun\u00e7 Ali \u00c7am, Vasilis Alexandrou, Vince Briffa, Volkan Babaotu, Yabanc\u0131, Yunus Aras.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>For the detailed event program, please visit the <a href=\"http:\/\/www.canakkalebienali.com\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">website<\/mark><\/a>.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large wp-image-65191\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-1024x683.jpg\" alt=\"\" class=\"wp-image-65191\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/9.-Canakkale-Bienali_ASTIM-Kolektif-2048x1365.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">ASTIM Collective<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Supporters of the 9th \u00c7anakkale Biennial:<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Main Supporter: DARDANEL<br>Venue Supporters: Ministry of Culture and Tourism of Turkey, Troy Museum, \u00c7anakkale Provincial Directorate of Culture and Tourism, Troia T\u00fcbingen Foundation, \u00c7anakkale History and Culture Foundation \/ \u00c7ATKAV, G\u00fcne\u015fane Foundation, Adatepe Olive Oil Museum, Adatepe \u0130da Blue Hotel, Ceyda-R\u0131dvan Demirhan<br>Institutional Supporter: KALE KTSM<br>Co-Supporters: Trendyol Art, Datassist<br>Contributing Institutions: British Council, Spaces of Culture, SAHA Association, Italian Cultural Institute, Goethe-Institut, French Cultural Institute, Danish Cultural Institute, Estonian Embassy in Ankara, CerModern, Ma\u00e7ka Art Gallery, Klasik Keyifler Association and EV Siemens Music Foundation, Thessaloniki Biennial and MOMus, \u0130BA, Anna Laudel Gallery, \u00c7ukurova Contemporary Foundation, \u0130yi Bak Association, Bar\u0131nhan<br>With Contributions From: \u00c7anakkale Municipality, \u00c7anakkale Onsekiz Mart University Faculty of Fine Arts and Faculty of Performing Arts<br>Media Partner: ArtDog Istanbul<br>Solution Partners: Samsung, Faselis, Merdiven Art Space, ABG Ent., Visio-vox, Foto Kitap, ARC<br>Online Art Partner: ARTtv<br>Hospitality Partners: Hotel Akol, Anzac Hotels, B\u00fcy\u00fck Truva Hotel, Yalova Restaurant, Wilusa Tour, Lodos, The Abies Hotel, Truva Gourmet, G\u00f6k\u00e7e Me\u015frubat<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cover Image: ASTIM Collective<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>With the title \u201cLet Time Run its Course,\u201d the 9th \u00c7anakkale Biennial, hosted in 13 different venues and showcasing over 50 artists, opened its doors on October 4. Taking place from October 4 to November 11 this year, the biennial adopts an approach that prioritizes inclusivity, interaction, and dialogue. The 9th \u00c7anakkale Biennial\u2019s general artistic [&hellip;]<\/p>\n","protected":false},"author":1456,"featured_media":65185,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4516],"tags":[4567,4553,4565],"class_list":["post-65177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fuarlar-bienaller","tag-bordo-bina","tag-seyhan-boztepe","tag-studyo-mahal"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=65177"}],"version-history":[{"count":1,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65177\/revisions"}],"predecessor-version":[{"id":74186,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65177\/revisions\/74186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/65185"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=65177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=65177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=65177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}