{"id":65152,"date":"2024-10-03T06:57:35","date_gmt":"2024-10-03T03:57:35","guid":{"rendered":"https:\/\/art50art.gurudesk.dev\/?p=65152"},"modified":"2025-09-18T12:45:05","modified_gmt":"2025-09-18T09:45:05","slug":"frieze-sculpture-2024-a-dynamic-approach-to-sculpture","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/frieze-sculpture-2024-a-dynamic-approach-to-sculpture\/","title":{"rendered":"Frieze Sculpture 2024: A Dynamic Approach to Sculpture"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Returning for its second year under the curatorship of <strong>Fato\u015f \u00dcstek<\/strong>, Frieze Sculpture 2024 transforms London\u2019s Regent\u2019s Park into a dynamic outdoor gallery, showcasing 27 works by 22 international artists. The exhibition is open to visitors from <strong>September 18 to October 27<\/strong>, coinciding with <a href=\"https:\/\/art50.net\/en\/frieze-london-frieze-masters-2024-bold-and-renewed-approaches\/\"><strong>Frieze London and Frieze Masters<\/strong><\/a>.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image wp-image-65135 size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067-1024x683.jpg\" alt=\"\" class=\"wp-image-65135\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Leonora-Carrington-The-Dancer-El-Bailarin-2011-rossogranada.-Frieze-Sculpture-2024_1600_1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Leonora Carrington, The Dancer (El Bailar\u00edn) (2011). rossogranada. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>For the 12th edition of Frieze Sculpture, \u00dcstek explains her curatorial approach: \u201cThis year\u2019s Frieze Sculpture features daring and experimental artistic approaches. It also carves a place for playful encounters, socially and environmentally conscious themes, as well as conceptual and spiritual practices that expand the notion of public sculpture.\u201d<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image wp-image-65137 size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067-1024x683.jpg\" alt=\"\" class=\"wp-image-65137\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Yoshitomo-Nara-Ennui-Head-2020-Pace-Gallery.-Frieze-Sculpture-2024_1600_1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Yoshitomo Nara, Ennui Head (2020). Pace Gallery. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The exhibition brings together a wide array of mediums and artists from diverse backgrounds, including notable figures such as Theaster Gates, Yoshitomo Nara, Nathan Coley, FOS, Albano Hern\u00e1ndez, Mohamed Ahmed Ibrahim, Hans Josephsohn, and Woody De Othello.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"1000\" height=\"613\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/fr12-kopya.jpg\" alt=\"\" class=\"wp-image-65159\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/fr12-kopya.jpg 1000w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/fr12-kopya-600x368.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/fr12-kopya-300x184.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/fr12-kopya-768x471.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Zanele Muholi ve Zizipho Poswa. Source: southernguild.com<br><\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>However, \u00dcstek is particularly committed to emphasising the representatio\u0131n of women and queer artists, who constitute the majority of the 22 participants of this year\u2019s edition consisting of acclaimed figures such as Zanele Muholi, Leonora Carrington, Ashwini Bhat, Anna Boghiguian, Juliana Cerqueira Leite, Theresa Chromati, C\u00e9line Condorelli, \u0130nci Eviner, Frances Goodman, Libby Heaney, Nika Neelova, Fani Parali, Zizipho Poswa, and Kirstine Roepstorff.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image wp-image-65139 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067-1024x683.jpg\" alt=\"\" class=\"wp-image-65139\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Theresa-Chromati-steadfast-step-into-me-allow-silence-to-create-the-sounds-you-desire-most-2022.-VETA-by-Fer-Frances_1600_1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Theresa Chromati, steadfast, step into me (allow silence to create the sounds you desire most) (2022). VETA by Fer Franc\u00e9s. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The prominent Turkish artist <strong>\u0130nci Eviner<\/strong>, who is presented by Dirimart, is contributing to the exhibition with two works: The first is Materials of Mind Theatre is a thought-provoking and theatrical installation which comes comes to life through regular performances, the second is Under One Body performance piece that \u201cshows how blurred the boundary between living and non-living can be&#8230;\u201d \u0130nci Eviner will perform Under One Body three more times before the end of the exhibition. The performances, which are open to the public without booking, will take place as follows: 9 October, 4 pm and 5 pm; 10 October, 2 pm and 4 pm; 12 October, 2 pm and 4 pm.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image wp-image-65141 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067-1024x683.jpg\" alt=\"\" class=\"wp-image-65141\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Inci-Eviner-Materials-of-Mind-Theatre-2024-Dirimart.-Frieze-Sculpture-2024_1600_1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u0130nci Eviner, Materials of Mind Theatre (2024). Dirimart. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>In addition to coinciding with Frieze London and Frieze Masters, Frieze Sculpture 2024 also aligns with broader public art initiatives across the city, such as the Fourth Plinth and Sculpture in the City, as part of London Sculpture Week. As one of the year\u2019s most anticipated public art events, it offers both casual visitors and art connoisseurs an immersive experience amidst London\u2019s greenery.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image wp-image-65144 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"788\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mohamed-Ahmed-Ibrahim-The-Form-2024-Lawrie-Shabibi.-Frieze-_1465_1127-1024x788.jpg\" alt=\"\" class=\"wp-image-65144\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mohamed-Ahmed-Ibrahim-The-Form-2024-Lawrie-Shabibi.-Frieze-_1465_1127-1024x788.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mohamed-Ahmed-Ibrahim-The-Form-2024-Lawrie-Shabibi.-Frieze-_1465_1127-600x462.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mohamed-Ahmed-Ibrahim-The-Form-2024-Lawrie-Shabibi.-Frieze-_1465_1127-300x231.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mohamed-Ahmed-Ibrahim-The-Form-2024-Lawrie-Shabibi.-Frieze-_1465_1127-768x591.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Mohamed-Ahmed-Ibrahim-The-Form-2024-Lawrie-Shabibi.-Frieze-_1465_1127.jpg 1465w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Mohamed Ahmed Ibrahim, The Form (2024). Lawrie Shabibi. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Frieze Sculpture 2024 elevates visitors\u2019 engagement with a series of public events, including Kirstine Roepstorff\u2019s Earth School with weekly Qigong workshops, a spontaneous performance by FOS titled Permission to Fall, a dive into \u201cdeep time\u201d with AONYX and DREPAN performance by Fani Parali; Night Walks as well as Public Curator Tours. The details of all the public events can be found <a href=\"https:\/\/www.frieze.com\/fairs\/frieze-sculpture\">here<\/a>. Also, visitors are provided with exclusive content and an audio tour narrated by Fato\u015f \u00dcstek herself in the exhibition\u2019s official guide on Bloomberg Connects app.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image wp-image-65147 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067-1024x683.jpg\" alt=\"\" class=\"wp-image-65147\" srcset=\"https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067-1024x683.jpg 1024w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067-600x400.jpg 600w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067-300x200.jpg 300w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067-768x512.jpg 768w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067-1536x1024.jpg 1536w, https:\/\/art50.net\/wp-content\/uploads\/2024\/10\/Nika-Neelova-Crude-Hints-2024-NOIRE-GALLERY.-Frieze-Sculpture._1600_1067.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Nika Neelova, Crude Hints (2024). NOIRE GALLERY. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/figcaption><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Participating Artists and Galleries:<\/strong><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Juliana Cerqueira Leite &#8211; Presented by TJ Boulting<br>Woody De Othello &#8211; Presented by Jessica Silverman, Stephen Friedman Gallery, Karma<br>Frances Goodman &#8211; Presented by SPECTA<br>\u0130nci Eviner &#8211; Presented by Dirimart<br>Libby Heaney &#8211; Presented by Gazelli Art House<br>Albano Hern\u00e1ndez &#8211; Presented by Pi Artworks<br>Nika Neelova &#8211; Presented by NOIRE GALLERY<br>Hans Josephsohn &#8211; Presented by Galerie Max Hetzler, Skarstedt<br>C\u00e9line Condorelli &#8211; Presented by Galeria Vera Cort\u00eas<br>Mohamed Ahmed Ibrahim &#8211; Presented by Lawrie Shabibi<br>Theaster Gates &#8211; Presented by White Cube<br>Anna Boghiguian &#8211; Presented by Sylvia Kouvali<br>Zanele Muholi &#8211; Presented by Southern Guild<br>Leonora Carrington &#8211; Presented by rossogranada<br>Ashwini Bhat &#8211; Presented by Project 88<br>Yoshitomo Nara &#8211; Presented by Pace Gallery<br>Nathan Coley &#8211; Presented by The Page Gallery<br>Fani Parali &#8211; Presented by Cooke Latham Gallery<br>Kirstine Roepstorff &#8211; Presented by 2112<br>Theresa Chromati &#8211; Presented by VETA by Fer Franc\u00e9s<br>FOS &#8211; Presented by NILS ST\u00c6RK<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Cover Image: Libby Heaney, Ent- (non-earthly delights) (2024). Gazelli Art House. Frieze Sculpture 2024, The Regent&#8217;s Park, London. Photo: Linda Nylind\/ Frieze. Source: ocula.com<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Returning for its second year under the curatorship of Fato\u015f \u00dcstek, Frieze Sculpture 2024 transforms London\u2019s Regent\u2019s Park into a dynamic outdoor gallery, showcasing 27 works by 22 international artists. The exhibition is open to visitors from September 18 to October 27, coinciding with Frieze London and Frieze Masters. For the 12th edition of Frieze [&hellip;]<\/p>\n","protected":false},"author":1456,"featured_media":65133,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4516],"tags":[4547,1604],"class_list":["post-65152","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fuarlar-bienaller","tag-fatos-ustek","tag-frieze"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=65152"}],"version-history":[{"count":2,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65152\/revisions"}],"predecessor-version":[{"id":71376,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/65152\/revisions\/71376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/65133"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=65152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=65152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=65152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}