{"id":64184,"date":"2023-11-01T01:17:12","date_gmt":"2023-10-31T22:17:12","guid":{"rendered":"https:\/\/art50art.gurudesk.dev\/rhythmic-transitions-exhibition-at-swissotel-the-bosphorus-istanbul-2\/"},"modified":"2023-12-06T01:30:28","modified_gmt":"2023-12-05T22:30:28","slug":"rhythmic-transitions-exhibition-at-swissotel-the-bosphorus-istanbul-2","status":"publish","type":"post","link":"https:\/\/art50.net\/en\/rhythmic-transitions-exhibition-at-swissotel-the-bosphorus-istanbul-2\/","title":{"rendered":"Rhythmic Transitions Exhibition at Swiss\u00f4tel The Bosphorus, Istanbul"},"content":{"rendered":"

The \u201cRhythmic Transitions\u201d exhibition, prepared in collaboration with Art50.net and Swiss\u00f4tel The Bosphorus, Istanbul, welcomes visitors at Swiss\u00f4tel The Bosphorus, Istanbul, between\u00a031 October 2023 \u2013 31 January 2024<\/strong>. The exhibition, curated by the Art50.net team, invites art enthusiasts to catch the rhythm of the brand-new works of\u00a0Cem Onat<\/strong><\/a>\u00a0and\u00a0Serap Can<\/strong>.<\/a><\/p>\n

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\nTwo artists of Art50.net present works in which spacelessness and repetitive visual images are reflected in abstract spaces in various forms and using different color palettes. While Cem Onat uses the action created by his body as the main element of his works, in Serap Can\u2019s works, although the movement seems almost frozen, it exists with a sense of visual dynamism. The unique rhythm of visual images stands out in the works of both artists.
\nCem Onat adopts the action painting style in his artistic production process. The integrity in his understanding of art shapes all his paintings and his understanding of art. The triptychs in the exhibition are his latest works, painted without using some symbols such as Yin and Yang.<\/p>\n

\"\"<\/p>\n

The movement created as a result of the technique used in his works is continued in other canvases and this occurs with an organic abstraction. A sense of constant flow and continuity prevails in these works.<\/p>\n

Serap Can, on the other hand, includes randomly selected crowds from urban life in her productions. The artist, who is influenced by these scenes of people trying to realize their dreams, uses colors for symbolic communication purposes in his works.<\/p>\n

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\nThe before and after of each moment gain meaning in an imaginable way, while the shadows add to this effect. The presence of crowds in her works emphasizes that the movement constitutes an impressive movement.<\/p>\n

You can visit the exhibition in the lobby and reception areas of Swiss\u00f4tel The Bosphorus, Istanbul, 7 days a week until January 31, 24.<\/p>\n

Click<\/a>\u00a0for the exhibition catalog and prices.<\/p>\n

For detailed information:<\/p>\n

art50.net<\/a><\/p>\n

info@art50.net<\/a>\u00a0| +90 (212) 244 2650<\/p>\n","protected":false},"excerpt":{"rendered":"

The \u201cRhythmic Transitions\u201d exhibition, prepared in collaboration with Art50.net and Swiss\u00f4tel The Bosphorus, Istanbul, welcomes visitors at Swiss\u00f4tel The Bosphorus, Istanbul, between\u00a031 October 2023 \u2013 31 January 2024. The exhibition, curated by the Art50.net team, invites art enthusiasts to catch the rhythm of the brand-new works of\u00a0Cem Onat\u00a0and\u00a0Serap Can. Two artists of Art50.net present works […]<\/p>\n","protected":false},"author":1456,"featured_media":63707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[1520],"tags":[],"class_list":["post-64184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art50-net-etkinlikleri"],"acf":[],"_links":{"self":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/64184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/users\/1456"}],"replies":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/comments?post=64184"}],"version-history":[{"count":0,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/posts\/64184\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media\/63707"}],"wp:attachment":[{"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/media?parent=64184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/categories?post=64184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/art50.net\/en\/wp-json\/wp\/v2\/tags?post=64184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}